A Quote by Helmut Newton
It's that I don't like white paper backgrounds. A woman does not live in front of white paper. She lives on the street, in a motor car, in a hotel room.
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I have always avoided photographing in the studio. A woman does not spend her life sitting or standing in front of a seamless white paper background. Although it makes my life more complicated, I prefer to take my camera out into the street... and places that are out of bounds for photographers have always had a special attraction for me.
I'm useless at staring at a piece of white paper. But if you put a piece of white paper with a black line on it in front of me, I'll say no that black line should be red and it should go this way or that way.
I don't encourage any act of murder nor do I glorify in anybody's death, but I do think that when the white public uses its press to magnify the fact that there are the lives of white hostages at stake, they don't say "hostages," every paper says "white hostages." They give me the impression that they attach more importance to a white hostage and a white death, than they do the death of a human being, despite the color of his skin.
White is the color of decomposition. White is also no color. White is nothing. In photography, the paper is white, next comes the light, which is also white, then the shadow is created, the apparition.
White. Like a clean piece of paper, like uncarved ivory, all is white when the story begins.
Betty White is a riot. She is a good time! That is the bottom line: Betty White is a good time. She is really an incredible woman. She is so kind. She doesn't have one mean bone in her body, and she is the funniest woman in the room always. And you'll never hear one complaint from her.
Toilet paper - and no baby wipes - in the bathroom. If they're using dry paper, they aren't washing all of themselves. It's just unclean. So if I go in a woman's house and see the toilet paper there, I'll explain this. And if she doesn't make the adjustment to baby wipes, I'll know she's not completely clean.
Then, all of a sudden, here I am in the Press Room in the White House and walking in with the guards, who handed me three little pieces of paper asking me to send pictures to the guards at the White House.
The very first time I was on a car in Atlanta, I saw the conductor - all conductors are white - ask a Negro woman to get up and take a seat farther back in order to make a place for a white man. I have also seen white men requested to leave the Negro section of the car.
Every time I embrace a black woman I’m embracing slavery, and when I put my arms around a white woman, well, I’m hugging freedom. The white man forbade me to have the white woman on pain of death... I will not be free until the day I can have a white woman in my bed.
We must assist the British in the war as if there were no White Paper and we must resist the White Paper as if there were no war.
We live in a world that does not recognize virtually anyone outside of the white male or the beautiful white woman who has to be an object of desire and affection.
As we're leaving the King's Arms Hotel after Sunday lunch, I watch a beautiful white dove walking down the wet road. A car approaches and the bird accidentally turns into the wheel rather than away from it. A gentle crunch. The car passes. A shape like a discarded napkin left in the road. Still perfectly white, no red stains, but bearing no relation anymore to the shape of a bird. A trail of white feathers flutter down the road after the car. The suddeness is very upsetting. That gentle crunch.
Ever since I was a girl, I have written about one to five pages every day - on napkins, on scrap paper, in notebooks and tablets, on the walls in my room as a teenager, and in orange paint on the cheap white plastic blinds in my room.
She was not a white woman. She was not a Greek... Until the emergence of the doctrine of white superiority, Cleopatra was generally pictured as a distinctly African woman, dark in color.
You are a white. The Imperial Wizard. Now, if you don't think this is logic you can burn me on the fiery cross. This is the logic: You have the choice of spending fifteen years married to a woman, a black woman or a white woman. Fifteen years kissing and hugging and sleeping real close on hot nights. With a black, black woman or a white, white woman. The white woman is Kate Smith. And the black woman is Lena Horne. So you're not concerned with black or white anymore, are you? You are concerned with how cute or how pretty. Then let's really get basic and persecute ugly people!
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