A Quote by Hema Malini

I want to impart my dance, my music: I want to make an institute and teach children. — © Hema Malini
I want to impart my dance, my music: I want to make an institute and teach children.
I have crazy, different influences in my songs. I want rap music, I want Congolese rumba, I want salsa, I want dance music, I want hip-hop music, all mixed into one!
Classical dance forms and music are slowly going away. It is very important to impart these to children.
I want to make people dance, I want to make people smile, and I want my music to get played in clubs.
I make dance music because I love to dance. But I want to think at the same time.
I want children who can make eye contact. I want children who know how to resolve conflicts with their peers. I want children who understand the dynamics of interpersonal relationships that are physical and tactile. I do not want children that only know how to interface with the world through a screen.
What I want to impart on any movie I work on is I want to make it entertaining. That's what I feel I do.
There's a certain kind of time that's metronomic, that's correct, but doesn't want you want to dance. It doesn't make you want to move, and it doesn't make you want to play.
Nineties music was what I grew up with, and I want to make music that's soulful but that you can also dance and drive to.
Music is great; it all depends on what mood you're in, what you want to listen to. If it's party time, you listen to, you know, party music, if you want to dance with somebody. But then again, if it's a slow dance, you need something slow.
We want to make sure children aren't left without any books. We want to make sure our children have the books, that they have a place in the castle. We want to make sure that their mothers have affordable day care. We want to make sure we give the older people the care that they need.
You know how a lot of people say, 'I lose myself in music,' or 'I like to escape,' but I want my music to be more of an awakening. I want it to make people to be aware of life; I don't want my music to be a distraction. I want to light a path.
Since I was a child, I always loved music that made me want to dance. As a teenager, I used to dance the night away to electronic music.
I want to make music that will make the blood surge in your veins, music that will get people up and dance.
I always want to make people dance so there'll always be an element of dance in my music.
Iranian parents can't stop their children. They're just wild - they want to party, they want their rights, they want to paint, they want to dance. No one can stop these new generations coming. That's why Iran has to open up: it's like a pot full of hot water, vapour and steam.
I don't want anything. I don't want a job. I don't want to be respectable. I don't want prizes. I turned down the National Institute of Arts and Letters when I was elected to it in 1976 on the grounds that I already belonged to the Diners Club.
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