A Quote by Hema Malini

I am an artist, and I will always be working. But a film should match my personality and should be primarily based on a woman for me to go forward with it. — © Hema Malini
I am an artist, and I will always be working. But a film should match my personality and should be primarily based on a woman for me to go forward with it.
While one should always study the method of a great artist, one should never imitate his manner. The manner of an artist is essentially individual, the method of an artist is absolutely universal. The first personality, which no one should copy.
I am very much a woman, but I never consider that I am when I go and make films. I don't check into the world as a woman everyday. I check in first as an artist and mother, then as a daughter sister, and friend - but always as an artist.
Since I started playing at the Olympics in 2000, I have always wanted to do a dress based on Wonder Woman. It should be interesting to wear. And hopefully, it will get me a gold medal.
Certain people always say we should go back to nature.I notice they never say we should go forward to nature. It seemstometheyare more concerned that we should go back, than about nature.
If you don't have a dream as an artist, you shouldn't be an artist, because you should be working towards something and trying to reach that always, whatever that is.
I still have that South Indian accent. But I am working on it. Hindi audiences should feel that I am speaking like them and should relate to me.
If I had married a woman intelligent enough to guide me, to rule me without my feeling that I was ruled, I should have taken good care of my money, I should have had children, and I should not be, as now I am, alone in the world and possessing nothing.
Notoriously outspoken, his sentences always punctuated with profanities, General George S. Patton was the epitome of what a leader should be like - or so he thought. Patton believed a leader should look and act tough, so he cultivated his image and his personality to match his philosophy.
For me, what matters is who are you working with, what you are working on, and when all that fits naturally, I let it go. Then, I don't care if it is bold or if it needs me to be uninhibited. I just want the role that I am playing to come out the way it should.
I believe that tours should be only three Tests. With the amount of these things that is taking place, you will find that once you go for five-Test match series, 80-90% of the times the home team will win and you will see teams going straight down after the third match.
If someone is interested in working with me, I would much rather them email me and we sit down or get on the phone, than them look at a client list and decide if I'm worth it or not. It should be based on work, and based on how we get along. As opposed to like, "Oh, he's worked with this, this, and this. Let's go. That's fine."
Contemporary art is based on that an artist is supposed to go into art history in the same way as an art historian. When the artist produces something he or she relates to it with the eye of an art historian/critic. I have the feeling that when I am working it is more like working with soap opera or glamour. It is emotional and not art criticism or history of art.
A film, since it is primarily a visual medium, should really be like a silent film. You should be able to watch something and understand what was going on and use voice when you need to communicate something you can't necessarily communicate visually. The book is the opposite. The book is an inner monologue which is beautiful.
Woman's rights should come by evolution, and not by revolution. I want a little woman's right tried first, and then, if the experience is bad, we can go back on our track; if good, forward.
To me, the fundamental thing - well, I guess I see a lot of people debating in the wrong way. A lot of the debate is, should we go to the coasts, should we go to the center, should we go to the left, should we go to the right?
I never make a distinction between doing a film in Hollywood or doing a film independently. It's just the story. It's always the story for me. The constants are that it should challenge me and I shouldn't repeat myself. And the story should always be a story worth telling.
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