Preparation is definitely important, but it depends on the kinds of roles I do. Like, I completely identify with my character in 'Yeh Jawaani Hai Deewani.' I had to be myself and I didn't have to actually prepare for it.
'Aashiqui 2' and 'Yeh Jawaani' were hit films, especially the former film in which I was the protagonist.
After completing my graduation, I went to Mumbai and started working as an assistant casting director. I worked on films like 'Talaash,' 'Ek Mai Aur Ekk Tu,' 'Yeh Jawani Hai Deewani' and 'Student Of The Year,' among others.
'Yeh Hai Aashiqui - Siyappa Ishq Ka' has become a part of who I am. I will be narrating the stories, and as a narrator, I get to experience each story up close and personal and go through the same range of emotions as the characters.
I am waiting for roles like the one in 'Yeh Hai Jalwa.'
When I did 'Kaisa Yeh Ishq Hai,' I wanted to challenge myself by doing a Haryanvi role.
At the beginning, when I did 'Yeh Saali Hai Zindagi,' I got a lot of love, which is ever increasing.
Yeh Tera Ghar Yeh Mera Ghar' is a well made film.
Yes, my clothes don't reflect my personality at all. Because I'm a very straightforward and serious person. My clothes are much flasher than I am. Yeh. Yeh, yeh. It's a good contrast. I don't think your clothes should reflect your personality... keep people on their toes.
I'm sure the audiences will connect with 'Yeh Hai Aashiqui,' as it will feature stories inspired from real life.
Duniya main Larkiyon sey ziadah koi ahmaq nahi hota.. khush fahmi ka aghaaz aur ikhtatam hum par hi hota hai. Sari umar hum mohabbat ki baysaakhiyoN ka intezaar karti rahti hain...Takay Zindagi ki race shuroo karsakain.. Humain mard kay baray main yeh khush fehmi hoti hai kah woh aaiga.. Koi hum sey hamdardi karay tou humain khush fehmi honay lagti hai ... Koi humari taareef karay tou woh humain apni mutthi main Qaid nazar aanay lagta hai... Koi humaray saath waqt guzarat tou humaray hosh o hawas apnay thikanay par nahi rahtay.. hum main MATURITY tab aati hai jab humain REJECT kia jaata hai.
Sometimes I have experienced at the start of a film you're very excited and enthusiastic and you've done all your preparation internally and externally and you start the film and it's all go... Then your attention goes somewhere else. Your energy goes into telling the story, so you don't have the same amount of energy to be objective, and that's okay because sometimes you become a subject of the story and you're inside it so much that you don't need to keep on looking on the outside.
'You all righ'?' he said gruffly. 'Yeah,' said Harry. 'No, yeh're not,' said Hagrid. 'Of course yeh're not. But yeh will be.'
I deliberately, in a way, went for something that was a huge challenge and was a big period film. I was excited about the canvas on which I could tell the story as much as the story itself.
I was here all the time doing good films like 'Yeh Tera Ghar Yeh Mera Ghar,' 'Kurukshetra' and 'Khiladi 420' but since they weren't solid hits, people didn't talk about them much.
Who says I haggled for money? If directors like Yash Chopra promised me an amount for singing 'Tujhe dekha to yeh jana sanam' but back-tracked once the song was a huge hit, am I to blame for asking what was due to me?