A Quote by Hema Malini

Filmmaking involves a lot of money and hard work, which should not be wasted, though nobody knows which film will be a hit. — © Hema Malini
Filmmaking involves a lot of money and hard work, which should not be wasted, though nobody knows which film will be a hit.
Filmmaking involves a lot of passion, hard work, thought process and money. But 'Gandhi My Father' is a selfless film, a film made with complete selflessness. We all went beyond ourselves.
My first film was a super-hit. It made the producer earn a lot of money and gave me a lot of fame. The funny part is that I acted in Tum Bin' as a project for which I was paid a stipend and not the money that comes to the star of a very popular film.
No one knows which film will be a hit or flop. Film making is a gamble.
I have not cared for money, and I enjoy working. Money comes my way. People work hard so they get enough money. Or they work hard so they don't have to work hard later in life. But though I don't need money, I still work hard because I like what I am doing.
Nobody knows when they sign a film that the role they are playing will be a huge hit.
I learned some big lessons on my first film, a horror film which was never released in the U.S., even though we sold it to Harvey Weinstein for a lot of money.
It's definitely good to have a hit from time to time, though not too often. If you have a few hits in a row, people start to think every film you make will be a hit, which is a big mistake.
You don't get money unless you have a lot of talent, which I don't have, or you work hard, which is what I do. We don't have any golden touch here.
When you're writing is when the "god should I just drop this" feeling can hit. When you're editing is when the "god this is awful and I've wasted everyone's time and money and will be revealed as a fraud" feeling can hit.
The sweetest memory is that which involves something which one should not have done; the bitterest, that which involves something which one should not have done, and which one did not do.
I know that in Bollywood, there is this constant talk on which actor's film is minting how much money, but we are living in a time where the focus is shifting from 'actor's responsibility' to the result of a great team work. I believe filmmaking is about that.
That sort of detailed filmmaking is one, hard to do and not have it be pretentious, and two, have it tell the story, which is what you're taught, that cinema is the language of images and you really should be able to make a film with no dialogue and tell a story.
A lot of my friends are struggling. A lot of my friends didn't make movies, which was really hard and sad. I'm good friends with this film collective, Red Bucket, which made Daddy Longlegs and The Pleasure Of Being Robbed. They're climbing the walls. They're all making cartoon booklets now, because they can't raise the funds to make another movie. But I think that when it returns, which it hopefully will, there will be another surge of energy.
There were no clippings of Ambedkar. The only thing I had was a two-and-a-half minute film which I saw countless times. Nobody knows how he walked, how he spoke, or how he behaved. I had to conceive all those things in my mind. I had to work a lot on the make-up, too.
Being a film director involves, above all, a lot of hard work and resolve and determination. The glamour doesn't come until the premiere and the thing is all long done.
In Sharia, nobody will be able to sell pork publicly. Nobody will be drinking alcohol. Pornography will be banned. Gambling will be banned. In terms of the economy, the wealth which is not tangible, either good or deficit, things like insurance, pension, stocks, shares, etc., they will be prohibited because you're supposed to deal with things, which are goods, which you can see, which you can trade with.
This site uses cookies to ensure you get the best experience. More info...
Got it!