A Quote by Henning Mankell
I realize that Facebook today is a global success with more than 600 million users worldwide. But I also understand, maybe a bit sadly, that it is not for me. Perhaps it is because I am a bit too old? Or perhaps it is because I am more interested in exploring the epic text, which I have lived with for all my life.
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I thought perhaps if I tried something that was so masculine perhaps that's what I would become. Sadly, that wasn't the case... sad in the sense that maybe it would have made some of the darker periods in my life a bit more manageable.
Perhaps I can say that I am a bit astute, that I can adapt to circumstances, but it is also true that I am a bit naive. Yes, but the best summary, the one that comes more from the inside and I feel most true is this: I am a sinner whom the Lord has looked upon.
Maybe I am a little bit guilty of trying to convince myself that I am cool to this point - even today. But I am so much more healthy than I used to be in my twenties, because I was not accepted at all.
I guess something that I've noticed from American acts who had success in touring is more of an explanation as to their music. Which is I think quite funny. I think British acts might like to leave more to the imagination - maybe a bit more obscure perhaps - a bit more shy.
It is a bit more challenging for the simple fact that now the stories I am writing are relying more on my imagination than on facts, more on research than on memory; so it is basically a slower writing process, more reading, more exploring. On the other hand, this approach is a little bit relieving too, since many times while writing [How the Soldieer Repairs the Gramophone] I felt too close and equal to my character.
We have 2 million users in the U.S. and about 13 million worldwide in more than 200 countries. We're getting 80,000 new users each day. And more than half a million people are connected via Skype at any given moment.
Every day I am aware of the flow and constant change; perhaps I am at the edge of discovering what more our bodies might be able to teach about the spirit of life. At least, I am always exploring and trying to understand our relationship to the whole universe.
Not the challenges necessarily, but the way in which you get ready because your technique has improved over the years and you perhaps know how to be more economical than perhaps you used to be when you tried to work perhaps too hard.
I am always sad, I think. Perhaps this signifies that I am not sad at all, because sadness is something lower than your normal disposition, and I am always the same thing. Perhaps I am the only person in the world, then, who never becomes sad. Perhaps I am lucky.
The great thing about living until you get a bit older if you are a writer, and especially a poet, is that you have more life to reflect on. And I think that if I am better now - and I think that I am probably better than I was - is because that I simply have more to think about, more to get under control, more to understand.
I'm a bit taller too because I've got Mum's legs and Dad was a bit more squat and well-built than me. My brother Andrew is a bit more like Dad.
I don't blame the average seventeen-year-old punk-rock kid for calling me a sellout. I understand that. And maybe when they grow up a little bit, they'll realize there's more things to life than living out your rock & roll identity so righteously.
I get a very vague idea and - perhaps because I once was a journalist, or perhaps because that's what made me want to be a journalist - I go off and explore it for a bit, rather than mapping out a plot and then filling in the research.
You know, I said I have this problem that I need to more carefully read Akron's text because it's too much, too much fantasy, and so I am busy with other stuff - it's funny, it's nice to hear that someone is studying that carefully and now I know a little bit more about that.
I don't really have a problem with the pain of life. Perhaps that is because I am a martial artist and I am used to dealing with pain. Or perhaps I adjusted to pain because there has been a great deal of it in my life.
The way something looks or sounds is also what it means. Words as visual and aural phenomena, which mainly poets, not critics and prose writers, tend to be obsessed with. I think maybe I'm more of a curator than I am a writer in the strict sense because I am interested in how everything on the page, in a space, works together.
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