Normally street children are shown in terms of the tragedy of their lives - which is true - but there's also another dimension: their wisdom, dignity and enormous capacity for survival.
The tragedy of September 11th was so sudden, so enormous, and so horrendous, both in terms of lives lost and global consequences, that this country and the world went into immediate and prolonged shock.
The real tragedy is that we're all human beings, and human beings have a sense of dignity. Any domination by one human over another leads to a loss of some part of his dignity. Is one's dignity that big it can be crumbled away like that?
True tragedy may be defined as a dramatic work in which the outward failure of the principal personage is compensated for by the dignity and greatness of his character.
Not only does inspiration from the Lord compensate for want of facts; it also induces men by self-discipline, to conform in their personal conduct and in their dealings one with another to the highest standards they know. In other words, it gives men the capacity which distinguishes wisdom from knowledge.
You unlock this door with the key of imagination. Beyond it is another dimension: a dimension of sound, a dimension of sight, a dimension of mind. You’re moving into a land of both shadow and substance, of things and ideas. You’ve just crossed over into… the Twilight Zone.
Tragedy in life normally comes with betrayal and compromise, and trading on your integrity and not having dignity in life. That's really where failure comes.
Internal security implies also an external dimension, a defence capacity.
Experiences have clearly shown that an approach which 'de-medicalizes' birth, restores dignity and humanity to the process of childbirth, and returns control to the mother is also the safest approach.
Two words guided the making of 'Babel' for me: 'dignity' and 'compassion.' These things are normally forgotten in the making of a lot of films. Normally there is not dignity because the poor and dispossessed in a place like Morocco are portrayed as mere victims, or the Japanese are portrayed as cartoon figures with no humanity.
My children inspire me with their innocence and enormous capacity to love.
Clearly, the oil spill in the Gulf is a terrible tragedy; we lost 11 lives on the rig, and their families are suffering, and it's also an economic tragedy for our state and ecological tragedy for the Gulf. But Sept. 11 was a different type of event: it was an intentional attack on soil.
We don't even know how strong we are until we are forced to bring that hidden strength forward. In times of tragedy, of war, of necessity, people do amazing things. The human capacity for survival and renewal is awesome.
We're all hoping that Trump doesn't get our world on his terms because there won't be anything of it left. Trump is a true psychopath, a psychopath in the way that tragedy becomes tragedy.
True hospitality is marked by an open response to the dignity of each and every person. Henri Nouwen has described it as receiving the stranger on his own terms, and asserts that it can be offered only by those who 'have found the center of their lives in their own hearts'.
Children seldom have a proper sense of their own tragedy, discounting and keeping hidden the true horrors of their short lives, humbly imagining real calamity to be some prestigious drama of the grown-up world.
It's a legitimate point to debate. But it's part of the reality. It's happening, but it's also true they (looters) are in the distinct minority. I think there's a hero on every street corner in New Orleans, and I think the reporting has shown that. I think the balance has been there.