A Quote by Henning Mankell
I still have a photo on my wall of the greatest idol I will ever have in my life, and it's myself at eight. Because that's when the forces of imagination have the same value as the real world, when they're an instrument of survival: when my mother disappeared, and I imagined a mother. That was me at my best.
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My father was an army officer who left the forces when I was six and never really fitted back into civilian life. My mother had five children and a mother with Alzheimer's, who lived with us, so I imagined that she had a lot to do.
And what is the great thing that the stage does? It cultivates the imagination. And . . . the imagination constitutes the great difference between human beings. . . . The imagination is the mother of pity, the mother of generosity, the mother of every possible virtue. It is by the imagination that you are enabled to put yourself in the place of another.
People expect you to change when you become a mother, and of course my priorities changed when I had Violet. She's number one in my life and the best thing that ever happened to me, but I still have fun. I am still myself, but that is made out to seem like I am rebelling against motherhood.
I barely saw my mother, and the mom I saw was often angry and unhappy. The mother I grew up with is not the mother I know now. It's not the mother she became after my father died, and that's been the greatest prize of my life.
Protection of the life of the mother as an excuse for an abortion is a smoke screen. In my 36 years of pediatric surgery, I have never known of one instance where the child had to be aborted to save the mother's life. If toward the end of the pregnancy complications arise that threaten the mother's health, the doctor will induce labor or perform a Caesarean section. His intention is to save the life of both the mother and the baby. The baby's life is never willfully destroyed because the mother's life is in danger.
If I were hanged on the highest hill, Mother o’ mine, O mother o’ mine! I know whose love would follow me still, Mother o’ mine, O mother o’ mine! If I were drowned in the deepest sea, Mother o’ mine, O mother o’ mine! I know whose tears would come down to me, Mother o’ mine, O mother o’ mine! If I were damned of body and soul, I know whose prayers would make me whole, Mother o’ mine, O mother o’ mine!
My interests still are my interests. That doesn't make me a bad mother. I think that makes me a really good mother, because when I go and creatively satisfy myself and those interests, I come home satisfied.
I think that, when you play a mother, whether you play a bad mother or a not so great mother or an amazing mother, being a mother is already so complicated. It's already three-dimensional, automatically, no matter what the role is, because you're playing a mother.
Tereza's mother never stopped reminding her that being a mother meant sacrificing everything. Her words had the ring of truth, backed as they were by the experience of a woman who had lost everything because of her child. Tereza would listen and believe that being a mother was the highest value in life and that being a mother was a great sacrifice. If a mother was Sacrifice personified, then a daughter was Guilt, with no possibility of redress.
The departure of our boys to foreign parts with the ever-present possibility that they might never return, taught the real value of photography to every father and mother. To many a mother the photograph of her boy in his country's uniform was the one never-failing consolation.
If I were hanged on the highest hill, Mother o' mine, O mother o' mine! I know whose love would follow me still Mother o' mine, O mother o' mine!
When you refer to terra entities, you ornately say Mother Nature and Mother Earth. How much honour and care do all of us accord to any of the three - including our real life mother?
The feminists took me as a role model, as a mother. It bothers me. I am not interested in being a mother. I am still a girl trying to understand myself.
I don't like real places, but I don't like imagined ones either. I feel like I'm looking for some mixture and it's very hard for me to say because I like to use real place names because there's an uncanny feeling to them, but at the same time I don't ever really try to make them plausible. Sometimes I like to use them as a way to hide in plain sight a little bit, because to me a very exotic or imagined setting has a lot of weight and a lot of burden to it, and it doesn't suit me, but a real place seems to have its own weird legacy, so I don't know what the choice is?
Everything I do is inspired by my early life”, Bourgeois’ looked up to her mother who was the most important person in her life for many reasons, ‘Maman’ symbolizes her mother; “The friend, because my best friend was my mother and she was deliberate, clever, patient, soothing, reasonable, dainty, subtle, indispensable, neat, and as useful as a spider.
I am blessed to have a mother like mine. She is the greatest mother in the world.
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