A Quote by Henny Youngman

Those bellhops in Miami are tip-happy. I ordered a deck of playing cards and the bellboy made fifty-two trips to my room. — © Henny Youngman
Those bellhops in Miami are tip-happy. I ordered a deck of playing cards and the bellboy made fifty-two trips to my room.
I have a lot of different collections of cards at home. It's hard to say my favorite deck, but there is a deck called the medicine cards, and it's Native American animal cards.
'Moonwalking with Einstein' refers to a memory device I used when I memorized a deck of playing cards at the U.S. Memory Championship. When I competed in 2006, I set a new U.S. record by memorizing a deck of cards in one minute and 40 seconds. That record has since fallen.
The good news is that in every deck of fifty-two cards there are 2,598,960 possible hands. The bad news is that you are only going to be dealt one of them.
To most magicians, cards themselves are marvels...For one thing, they feel special in your hand. Touching them, holding them, shuffling - the whole process is almost poetic. If you're in a room full of magicians and someone just mentions the word cards, within seconds, everyone is digging into their pockets and pulling out a deck of cards. It's one of the most amazing feelings ever.
Just when you think you're playing your cards right, God shuffles the deck.
When the prisoner is brought down from Death Row he steps from the elevator directly into a "holding" room that adjoins the witness room. There are two cells in this "holding" room, two, in case it's a double execution. They're ordinary cells, just like this one, and the prisoner spends his last night there before his execu­tion in the morning, reading, listening to the radio, playing cards with the guards.
I'm not the type who spends his free time in training camp playing with his Playstation or playing cards on trips. The other players thought it was odd: There he is, reading again.
A deck of cards was built like the purest of hierarchies, with every card a master to those below it and a lackey to those above it.
A deck of cards is built like the purest of hierarchies, with every card a master to those below it, a lackey to those above it.
I am ready to disclaim my opinion, even of yesterday, even of 10 minutes ago, because all opinions are relative. One lives in a field of influences, one is influenced by everyone one meets, everything is an exchange of influences, all opinions are derivative. Once you deal a new deck of cards, you've got a new deck of cards.
If you play the cultural game, it's like playing only with clubs or something, or playing only with the red marked cards. You have to play with a full deck, and that includes this pre-linguistic surround in which we are embedded.
My roomate at 'Harvey' is this guy Morgan Spector, an actor in town, and I've taught him Hive and Fastrack. Others have played For the Win, but Cards Against Humanity has been the dressing room hit. We've had the understudies, even Jim Parsons playing it. Our dressing room is practically sponsored by Cards Against Humanity.
Usually I try to be there by six. Everything has been taken off the walls so that there's nothing to arrest my sight. On the bed I have Roget's Thesaurus, a dictionary, a Bible, and a deck of playing cards.
I'm suprised he doesn't send Christmas cards," Antonio said. "I can see them now. Tasteful, embossed veilum cards, the best he can steal. Little notes in perfect penmanship,"Happy holidays. Hope everyone is well. I sliced up Ethan Ritter in Miami and scattered his remains in the Atlantic. Best wishes for the new year. Karl.
To attain the rank of grand master of memory, you must be able to perform three seemingly superhuman feats. You have to memorize 1,000 digits in under an hour, the precise order of 10 shuffled decks of playing cards in the same amount of time, and one shuffled deck in less than two minutes. There are 36 grand masters of memory in the world.
Samuel Beckett's 'Waiting for Godot,' billed as 'the laugh sensation of two continents,' made its American debut at the Coconut Grove Playhouse, in Miami, Florida, in 1956. My father, Bert Lahr, was playing Estragon, one of the two bowler-hatted tramps who pass the time in a lunar landscape as they wait in vain for the arrival of a Mr. Godot.
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