A Quote by Henny Youngman
Farrah's dressing room was next to mine. There was a little hole in the wall. I let her look.
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That's the words: "So I'm back to the velvet underground" - which is a clothing store in downtown San Francisco, where Janis Joplin got her clothes, and Grace Slick from Jefferson Airplane, it was this little hole in the wall, amazing, beautiful stuff - "back to the floor that I love, to a room with some lace and paper flowers, back to the gypsy that I was."
If you want a measure of how private a place the dressing room was when I was growing up at Manchester United, consider this: even Sir Alex Ferguson would knock before coming into the dressing room at the Cliff, the old training ground. The dressing room is for the players - and the players only.
When I moved in, I said, 'I don't care how this makes me look or sound: I am converting one of these bedrooms into a shoe closet.' It's become more of a dressing room, but one wall is shoes in their perfect cubbies.
It's an incredible feeling when you look across the dressing room and see Andres, Leo, Luis and Sergio Busquets, and everyone else. They are players I used to watch on TV or play with on PlayStation, and now I am sharing the same dressing room. It's incredible for me.
I never have compared myself to Jessica Tandy in any way, and that's such a great role model for me to look at. I'm seriously going to put pictures of her in my dressing room and commune with her from now on, I think.
Look at this window: it is nothing but a hole in the wall, but because of it the whole room is full of light. So when the faculties are empty, the heart is full of light.
I did 'Jimmy Kimmel Live' a while ago, and Lady Gaga was in the dressing room next to mine. The outfit she wore walking down the hall was even more fabulous than what she wore onstage!
I'd love to be a mole on the wall in the Liverpool dressing room at half-time.
I have friends of mine that are actors or singers, and they're the classic guys where, they're onstage, and they're like, 'Okay, the blonde in the third row, seat 24, bring her to my dressing room.' I've never, never taken advantage of that, I swear to God.
That moment she was mine, mine, fair, Perfectly pure and good: I found A thing to do, and all her hair In one long yellow string I wound Three times her little throat around, And strangled her. No pain felt she; I am quite sure she felt no pain. As a shut bud that holds a bee, I warily oped her lids: again Laughed the blue eyes without a stain. And I untightened the next tress About her neck; her cheek once more Blushed bright beneath my burning kiss . . .
When I was little, I got to pick my hair ribbon from my mother's collection that hung over her dressing-table mirror. I have an entire room of ribbons in my New York apartment.
I used to watch my mom put her makeup on for the stage, and it was one of the most special moments. I would sit quietly on the dressing room floor and watch her put her face on. I think she looks most beautiful in the morning when she wakes up with no makeup on... it's my favorite look on women.
A couple of years ago, I went to see a production of Wicked in San Francisco with a friend of mine, one that Patty Duke was in, and he said, "Do you want to meet her?" And I said, "Yeah!" And I went backstage, and she walked out of her dressing room, looked at me, and said, "I know you." And I went, "Well, uh, yeah, I was in My Sweet Charlie." And she said, "Yeah! You were the guy in the car on the road!" And I was. It was amazing.
About 25 years ago, I was in an apartment, and next door, they put on the radio, so I struck the wall with my fist, but they did not put the radio down. I took a tool and banged until I made a hole through the wall. It was like a comedy movie.
If you don't break a hole through the brick wall, don't just start digging a new hole. Keep going until you break through that wall.
I'm definitely playing next year. That's my ace in the hole. It's a little hard to sit back and watch the guys [this season], but it's easier knowing I've got something to look forward to.
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