A Quote by Henny Youngman
She must have Egyptian blood. Every time I try to kiss her she says, "Tut, Tut!"
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Have you tried to drive a harpoon through a body? No? Tut, tut, my dear sir, you must really pay attention to these details.
And what? What's the other choice? To passively let things happen and then say: "Tut-tut, what at botch that was"? Don't we all manipulate people? Even if we openly ask them to make a choice, don't we try to frame it so they'll chose as we think they should?
Tut, tut. We can't let mere sentiment intrude. This is Science.
Tut, tut — fame clearly isn't everything.
Tut, Tut, looks like rain
There are no words for how much I will miss her, but I try to kiss her so that she'll know. I try to kiss her to tell her the whole story of my love, the way I dreamed of her when she was dead, the way that every other girl seemed like a mirror that showed me her face. The way my skin ached for her. The way that kissing her made me feel like I was drowning and like I was being saved all at the same time. I hope she can taste all that, bittersweet, on my tongue.
You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it.
The next time she comes back, no matter what she says, listen to her well. If she cries, give her a handkerchief and wait until she's done crying. If she curses me, curse with her. And if by any chance she asks about me, tell her that I'm sorry.
Earth is ancient now, but all knowledge is stored up in her. She keeps a record of everything that has happened since time began. Of time before time, she says little, and in a language that no one has yet understood. Through time, her secret codes have gradually been broken. Her mud and lava is a message from the past. Of time to come, she says much, but who listens?
One day I'll give birth to a tiny baby girl and when she's born she'll scream and I'll tell her to never stop I will kiss her before I lay her down at night and will tell her a story so she knows how it is and how it must be for her to survive I'll tell her to set things on fire and keep them burning I'll teach her that fire will not consume her that she must use it
You must learn her. You must know the reason why she is silent. You must trace her weakest spots. You must write to her. You must remind her that you are there. You must know how long it takes for her to give up. You must be there to hold her when she is about to. You must love her because many have tried and failed. And she wants to know that she is worthy to be loved, that she is worthy to be kept. And, this is how you keep her.
Annabel looked down. Her hands were shaking. She couldn't do this. Not yet. She couldn't face the man she'd kissed who happened to be the heir to the man she didn't want to kiss but whos she probably was going to marry. Oh yes, and she could not forget that if she did marry the man she didn't want to kiss, she was likely to provide him with a new heir, thus cutting off the man she did want to kiss.
No one is going to hear what she says whether she speaks or not. Simply she could close her eyes and never speak again. She could suck all of the air in this room-every dust mote, every atom-into her body and hide it inside her.
Writing a good movie brings a writer about as much fame as steering a bicycle. It gets him, however, more jobs. If his movie is bad it will attract only critical tut-tut for him. The producer, director and stars are the geniuses who get the hosannas when it's a hit. Theirs are also the heads that are mounted on spears when it's a flop.
She suddenly understood why she had let him kiss her in the diner, why she had wanted him at all. She wanted to control him. He was every arrogant boyfriend that had treated her mother badly. He was every boy that told her she was too freaky, who had laughed at her, or just wanted her to shut up and make out. He was a thousand times less real than Roiben.
And you can tell that Britney Spears is struggling with who she is. I think she has a team of agents and managers who are saying, yes, push the envelope, kiss Madonna, take off all your clothes. And she’s doing that because she doesn’t want to sacrifice this enormous platform that she’s built. But at the same time, she is sacrificing herself and you can see that in her eyes when she talks.
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