A Quote by Henny Youngman

My brother then opened a tall man's shop in Tokyo. — © Henny Youngman
My brother then opened a tall man's shop in Tokyo.
I had a trial run with Norman Ross for 21 years, from '61 to '82. I didn't have it in mind to open a chain like Harvey Norman. I opened one shop, but then the next thing you know, I've got another shop and then another shop.
I was sometimes doing DJ stuff and working in a record shop in Tokyo. That place was a very unique shop. It was the place lots of DJs came to get used and rare records. It had a lot of jazz, funk, Latin and seventies rock.
One man said, "I looked at my brother through the microscope of criticism, and I said, "How coarse my brother is." Then I looked at my brother through the telescope of scorn, and I said, "How small my brother is." Then I looked into the mirror of truth and I said, "How like me my brother is."
One of my favorite cities is Tokyo because of sushi, and Asian food in general, but then also the way Tokyo operates, because it's so clean, and there's space for a lot of variety of stores.
When someone walks in and you say "a six-foot-tall man," you miss the opportunity to describe what a six-foot-tall man would look like to your narrator, because how the narrator describes a six-foot-tall man says more about the narrator than about the man.
I don't shop just high-end, honestly. I shop at Zara, I shop at Topshop, I shop at H&M. I shop everywhere.
I used to want to be tall, and then I thought, 'If I were tall, then people would say I was pretty and not cute.' And then I realized that there are worse things than being called cute.
If Bret went in there and stunk the place out, then they probably wouldn't have brought the little brother in. So just by being successful himself, it opened the door for me.
I had a fear of being too tall because my dad is very tall, and both my sisters are very tall. And they're drop-dead gorgeous, but I just didn't know if I, as Storm, wanted to be 6 feet tall, 'cause I feel like that's pretty tall.
I think that one of the visions that is closest to reality is the cardboard city in the subway station in Tokyo, which is based very closely on a series of documentary photographs of people living like that and of the contents of the boxes. Those are quite haunting because Tokyo homeless people reiterate the whole nature of living in Tokyo in these cardboard boxes, they're only slightly smaller than Tokyo apartments, and they have almost as many consumer goods. It's a nightmare of boxes within boxes.
"Naming Tokyo" kicked off at the Palais de Tokyo in Paris in June, and it's going to travel to various art institutions for years to come. Every time it is shown, I'm developing the research and involving more and more people in it. The final conclusion of the work would eventually be to put up street signs in Tokyo with my names on them.
From the cab stepped a tall old man. Black raincoat and hat and a battered valise. He paid the driver, then turned and stood motionless, staring at the house. The cab pulled away and rounded the corner of Thirty-sixty Street. Kinderman quickly pulled out to follow. As he turned the corner, he noticed that the tall old man hadn't moved but was standing under the streetlight glow, in mist, like a melancholy traveler frozen in time.
I grew up in the countryside and wanted to go to Tokyo. I had Tokyo complex.
All the participating countires in Tokyo 2020 were good, but this time we worked really hard and had the confidence that we can achieve it in Tokyo.
I always wanted to be less tall. When I was at school I was the same height as all of my girlfriends and then suddenly I was turning 12 and almost overnight I got really tall.
Girls always ask me where I shop because I'm so tall, and I say, 'Ah, the store.' I don't really need special fittings.
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