A Quote by Henri Bergson
In just the same way the thousands of successive positions of a runner are contracted into one sole symbolic attitude, which our eye perceives, which art reproduces, and which becomes for everyone the image of a man who runs.
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The painter who draws by practise and judgment of the eye without the use of reason is like the mirror which reproduces within itself all the objects which are set opposite to it without knowledge of the same.
My being subsists only from a supreme point of view which is precisely incompatible with my point of view. The perspective in which I fade away for my eyes restores me as a complete image for the unreal eye to which I deny all images. A complete image with reference to a world devoid of image which imagines me in the absence of any imaginable figure. The being of a nonbeing of which I am the infinitely small negation which it instigates as its profound harmony. In the night shall I become the universe?
There are no hopeless positions; there are only inferior positions that can be saved. There are no drawn positions; there are only equal ones in which you can play for a win. But at the same time, don't forget that there is no such thing as a won position in which it is impossible to lose.
When one analyzes the pre-conscious step to concepts, one always finds ideas which consist of 'symbolic images.' The first step to thinking is a painted vision of these inner pictures whose origin cannot be reduced only and firstly to the sensual perception but which are produced by an 'instinct to imagining' and which are re-produced by different individuals independently, i.e. collectively... But the archaic image is also the necessary predisposition and the source of a scientific attitude. To a total recognition belong also those images out of which have grown the rational concepts.
What strikes me is the fact that in our society, art has become something which is related only to objects and not to individuals, or to life. That art is something which is specialized or which is done by experts who are artists. But couldn't everyone's life become a work of art? Why should the lamp or the house be an art object, but not our life?
To you I am neither man nor woman. I come before you as an author only. It is the sole standard by which you have a right to judge me--the sole ground on which I accept your judgment.
As all Nature's thousands changes But one changeless God proclaim; So in Art's wide kingdom ranges One sole meaning still the same: This is Truth, eternal Reason, Which from Beauty takes its dress, And serene through time and season Stands aye in loveliness.
The occurrence of successive forms of life upon our globe is an historical fact, which cannot be disputed; and the relation of these successive forms, as stages of evolution of the same type, is established in various cases.
Given for one instant an intelligence which could comprehend all the forces by which nature is animated and the respective positions of the beings which compose it, if moreover this intelligence were vast enough to submit these data to analysis, it would embrace in the same formula both the movements of the largest bodies in the universe and those of the lightest atom; to it nothing would be uncertain, and the future as the past would be present to its eye.
Art is a spiritual function of man, which aims at freeing him from life's chaos. Art is free in the use of its means in any way it likes, but is bound to its laws and to its laws alone. The minute it becomes art, it becomes much more sublime than a class distinction between proletariat and bourgeoisie.
Imagination is the organ through which the soul within us recognizes a soul without us; the spiritual eye by which the mind perceives and converses with the spiritualities of nature under her material forms; which tends to exalt even the senses into soul by discerning a soul in the objects of sense.
The purpose of life seems to be to acquaint a man with himself and whatever science or art or course of action he engages in reacts upon and illuminates the recesses of his own mind. Thus friends seem to be only mirrors to draw out and explain to us ourselves; and that which draws us nearer our fellow man, is, that the deep Heart in one, answers the deep Heart in another, - that we find we have (a common Nature) - one life which runs through all individuals, and which is indeed Divine.
We are neither this way nor that; we are a body which is in the midst of change and evaporating. We are timeless, thousands of years old, and involved with processes which go beyond our present identity. This gives us an eternal feeling, but one which is realizable right here in the moment.
I often think of the image only I can see now, and of which I’ve never spoken. It’s always there, in the same silence, amazing. It’s the only image of myself I like, the only one in which I recognize myself, in which I delight
Ardent desire for knowledge, in fact, is the one motive attracting and supporting investigators in their efforts; and just this knowledge, really grasped and yet always flying before them, becomes at once their sole torment and their sole happiness. Those who do not know the torment of the unknown cannot have the joy of discovery which is certainly the liveliest that the mind of man can ever feel.
The great and secret message of the experiential mystics the world over is that, with the eye of contemplation, Spirit can be seen. With the eye of contemplation, the great Within radiantly unfolds. And in all cases, the eye with which you see God is the same eye with which God sees you: the eye of contemplation.
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