A Quote by Henri Cartier-Bresson
Photography is a way of shouting, of freeing oneself, not of proving or asserting one's own originality. It's a way of life.
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As far as I am concerned, taking photographs is a means of understanding which cannot be separated from other means of visual expression. It is a way of shouting, of freeing oneself, not of proving or asserting one's own originality. It is a way of life.
We could teach photography as a way to make a living, and best of all, somehow to get students to experience for themselves photography as a way of life.
In general, signalling theory says that if you have a good way of proving something and a noisy way of proving something, and you choose the noisy way, that means chances are it's because you couldn't do the good way in the first place.
I love photography - I fell in love with photography, I think, because it was my own thing, it wasn't something I needed other people's permission to do. So, it was really freeing for me actually to be able to not be a famous person and just to take pictures.
I don't have any problems with what these guys wear because they got their own style and their own originality. That's the way it's supposed to be, man.
For me, It's not necessarily about proving people wrong, but proving to myself that I can do it my way and still win.
Everyone hasn't got the power to free oneself and go away to another place or country... No one is capable of freeing oneself from society.
I always liked photography in film - I studied photography growing up. I like the medium of film; I like physically holding 35-mm film. I like the way it looks, the quality when it's projected. I like the way it frames real life.
For me music is totally freeing, and it's its' own language too. You follow it, in a way.
I think New York is working its way into my poems. It takes a while for a place to filter its way onto the page, but I've been reading more and more American poetry and I certainly feel it as quite a freeing force. Coming from the formally ordered tradition of poetry in Ireland, I find the expansiveness of American literature freeing in some sense.
That's one of the troubles of photography; the implication that what you have in that photograph is the way it is, and of course a year later that's not the way it is. Life moves on and the picture stays. That can be a wonderful idea to be a part of history and on the other hand, you think pictures have a life that they don't have.
Everybody's a train wreck in their own very special way. But there's something wildly freeing about someone who's unapologetic, who knows they're a wreck and doesn't even try to hide it, just bulldozes through life.
Spring is on the way; summer is on the way; storms are on the way; wars are on the way; sorrow and happiness are on the way; they are all on the way, they are coming! Everything is on the way! Life is a highway; while we are moving on the way, all else is coming towards us! Devil is on the way; angel is on the way! Stay firm on the way!
Life and love generate effort, but effort will not generate them. Faith-in life, in other people, and in oneself-is the attitude of allowing the spontaneous to be spontaneous, in its own way and in its own time.
Well, the way I play, I try not to be a 'repeater pencil', ya dig? Originality's the thing. You can have tone and technique and a lot of other things but without originality you ain't really nowhere. Gotta be original.
Now that photography is a digital medium, the ghost of painting is coming to haunt it: photography no longer retains a sense of truth. I think that's great, because it frees photography from factuality, the same way photography freed painting from factuality in the mid-nineteenth century.
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