A Quote by Henri Cartier-Bresson
It is an illusion that photos are made with the camera... they are made with the eye, heart and head.
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Learning that aesthetic as a kid - seeing those photos - made me think that that's what photos are supposed to look like. I never understood snapshots. I was looking at them like, "This is horrible; that's not what a picture is supposed to look like." I was taught by these photos. So when I picked up the camera, though I had never done it before, I kind of already knew what I was doing.
I made silk screens of my drawings. I could add a drawing that was made with a machine or digitally to a drawing that was made by hand. What I love is that you can't tell how they're made. For some reason, fooling the eye really excites me.
Making photos is helpful of course to master the craft. To get comfortable with the camera. Learn what a camera can do and how to use the camera successfully. Doing exercises for example if you try to find out things that the camera can do that the eye cannot do. So that you have a tool that will do what you need to be done. But then once you have mastered the craft the most important thing is to determine why you want to shoot pictures and what you want to shoot pictures of. That's where the thematic issue comes to life.
Man is an onion made up of a hundred integuments, a texture made up of many threads. The ancient Asiatics knew this well enough, and in the Buddhist Yoga an exact technique was devised for unmasking the illusion of the personality. The human merry-go-round sees many changes: the illusion that cost India the efforts of thousands of years to unmask is the same illusion that the West has labored just as hard to maintain and strengthen.
Photos should focus on your waist up, unless you have amazing legs. Then it's okay to include one or two full-body shots in your gallery. The majority of your photos should be closer up, highlighting your face. Don't stage a smile. Instead, try to laugh just before the shot is taken. Flirty smiles that don't look cheesy also work. Make eye contact with the camera. Aim to take most of your photos outdoors.
When you're so used to operating the camera, it's an extension of your eye and your heart and your head.
I was a filmmaker. I made movies. I made films. And I always took photos and made films, always from the beginning.
While technically I did not commit a crime, an impeachable offense... these are legalisms, as far as the handling of this matter is concerned; it was so botched up, I made so many bad judgments. The worst ones, mistakes of the heart, rather than the head. But let me say, a man in that top job - he's got to have a heart, but his head must always rule his heart.
You could identify with Panchamda's music. It made you fall in love. It made your heart beat. It made you feel you are young.
We're not going the photography route. I think there is a real distinction between photos and images, and Flickr is for photos, and Instagram is for photos. You wouldn't put a filter on a meme; you'd put a filter on top of a photo that came from your camera.
The art that is in the machine-made article, appeals only to the eye; the art in Khadi appeals first to the heart and then to the eye.
Heart weeps. Head tries to help heart. Head tells heart how it is, again: You will lose the ones you love. They will all go. But even the earth will go, someday. Heart feels better, then. But the words of head do not remain long in the ears of heart. Heart is so new to this. I want them back, says heart. Head is all heart has. Help, head. Help heart.
I suddenly dreamt that I picked up the revolver and aimed it straight at my heart my heart, and not my head; and I had determined beforehand to fire at my head, at my right temple. After aiming at my chest I waited a second or two, and suddenly my candle , my table, and the wall in front of me began moving and heaving. I made haste to pull the trigger.
Everything that is made beautiful and fair and lovely is made for the eye of one who sees.
In April 1917 the illusion of isolation was destroyed, America came to the end of innocence, and of the exuberant freedom of bachelor independence. That the responsibilities of world power have not made us happier is no surprise. To help ourselves manage them, we have replaced the illusion of isolation with a new illusion of omnipotence.
Heroes are made because they are moved. Not in their head, but in their heart.
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