A Quote by Henri Cartier-Bresson
In photography, the smallest thing can become a big subject, an insignificant human detail can become a leitmotiv. We see and we make seen as a witness to the world around us; the event, in its natural activity, generates an organic rhythm of forms.
Related Quotes
In photography, the smallest thing can be a great subject. The little, human detail can become a Leitmotiv.
The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression... In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif.
We may give our human loves the unconditional allegiance which we owe only to God. They they become gods: then they become demons. Then they will destroy us, and also destroy themselves. For natural loves that are allowed to become gods do not remain loves. They are still called so, but can become in fact complicated forms of hatred.
There's an identity crisis - a lot of us become mothers, and all of a sudden, we're expected to become these selfless people. That's not a really natural process. That, for me, never felt organic.
There is no inherent awakening power in cultural forms that have become dissociated from the wisdom and practicality that gave birth to them. They turn into illusions themselves and become part of the drama of religious culture. Although they can make us happy temporarily, they can't free us from suffering, so at some point, they become a source of disappointment and discouragement. Eventually, these forms may inspire nothing more than resistance to their authority.
I suppose as an actor you become very sensitive to rhythm, not just rhythm as you look at it sort of from the, from the outside as a director might see it, but within yourself you become used to the idea of hearing your fellow actors, responding to them in space.
Time is a social institution and not a physical reality. There is no such thing as time in the natural world - the world of stars and waters, clouds, mountains and living organisms. There is such a thing as rhythm - rhythm of tides, rhythm of biological processes... There is rhythm and there is motion. Time is a way of measuring motion.
Photographs bear witness to a human choice being exercised in a given situation. A photograph is a result of the photographer's decision that it is worth recording that this particular event or this particular object has been seen. If everything that existed were continually being photographed, every photograph would become meaningless.
It has become necessary to call the attention of European governments to a fact which is apparently so insignificant that the governments seem not to notice it. The fact is this: an entire people is being annihilated. Where? In Europe. Are there witnesses? One witness, the entire world. Do the governments see it? No.
Where no interest is takes in science, literature and liberal pursuits, mere facts and insignificant criticisms necessarily become the themes of discourse; and minds, strangers alike to activity and meditation, become so limited as to render all intercourse with them at once tasteless and oppressive.
The very act of representation has been so thoroughly challenged in recent years by postmodern theories that it is impossible not to see the flaws everywhere, in any practice of photography. Traditional genres in particular-journalism, documentary studies, and fine-art photography-have become shells, or forms emptied of meaning.
Racism is a problem, economic inequality is a problem, not enough rock n' roll on the radio is a problem. But all those problems will become insignificant when the oceans rise in a way that threatens organised human activity.
Any chemist reading this book can see, in some detail, how I have spent most of my mature life. They can become familiar with the quality of my mind and imagination. They can make judgements about my research abilities. They can tell how well I have documented my claims of experimental results. Any scientist can redo my experiments to see if they still work-and this has happened! I know of no other field in which contributions to world culture are so clearly on exhibit, so cumulative, and so subject to verification.
I'd like them to see that those things that set us apart or make us different can be wonderful contributions to the world around us. I'd like them to see that size and color are irrelevant to the dreams we envision for ourselves. And I'd also love for them to see that life is a journey, and every step of the way, we can learn something and become stronger and wiser.
When many astronauts go to space, they see the insignificant size of the earth and vastness of space, and they become very religious, because they have seen the Signs of Allah.
I go to the Natural History Museum and look at the cage of stuffed starlings there. But my favourite thing is the big blue whale. The scale of it is unbelievable, and makes you feel how insignificant you are as a human being.
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