A Quote by Henri Cartier-Bresson
The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
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If, in making a portrait, you hope to grasp the interior silence of a willing victim, it's very difficult, but you must somehow position the camera between his shirt and his skin. Whereas with pencil drawing, it is up to the artist to have an interior silence.
The portrait of a person is one of the most difficult things to do. It means you must almost bring the presence of that person photographed to other people in such a way that they don't have to know that person personally, but that they are still confronted with a human being that they won't forget. That's a portrait.
Fashion is one thing, you kind of can change your silhouette and try this and try that. But I think that with skin care, you know anything that you put into your skin goes into your body, so you want to know it's actually good for you. So I think I don't believe in fashion when it comes to skin care if that makes sense.
I kind of look at what's on the T-shirts and I see another solution, which also worries me. I see "Just do it." "No fear." - this kind of suppressive response to the treacle that the culture tries to define for us as a meaningful life also blows up on you. "No fear" is not something that you should put on your shirt. How about "I can hold my fear and still connect with you"? Put that on your shirt. "It's okay to be me, with all of my history." Put that on your shirt.
As a director, what matters is how you penetrate the soul of the person in front of the camera and let the actor blur the boundaries between the character and the person themselves. In order to achieve that, I try to make people feel at ease, to be mindless of problems and be skinless and give everything to the camera.
Let it be clearly understood that the Russian is a delightful person till he tucks in his shirt. As an Oriental he is charming. It is only when he insists on being treated as the most easterly of western peoples instead of the most westerly of easterns that he becomes a racial anomaly extremely difficult to handle.
For me, the brand of the camera is not the most important thing. I think you can take good pictures with the camera on your phone.
A Georgian man's shirt had a long tail, which he tucked between his legs rather like a nappy. Over it went his 'breech liners', the long, linen forerunners of drawers. All of this was intended to keep his unwashable outer clothes free from the sweat and stink of his skin.
The reason I want you to put a shirt on is, well, because, um..." "You've never seen a guy with his shirt off?" "Ha, ha. Very funny. Believe me, you don't have anything I haven't seen before." "Wanna bet?" he says, then moves his hands to the button on his jeans and pops it open. Isabel walks in at that exact moment. "Whoa, Alex. Please keep your pants on.
I think self-portraits are very difficult. I’ve always seen mine as straightforward, very stripped down, hair pulled back. No shirt. Whatever light happened to be available. I’d want it to be very graphic – about darkness and light. No one else should be there, but I’m scared to do it by myself. I’ve been thinking about it for a long time. The whole idea of a self-portrait is strange. I’m so strongly linked to how I see through the camera that to get to the other side of it would be difficult. It would be as if I were taking a photograph in the dark.
I think the camera was always my obsession, the camera movements. Because for me it's the most important thing in the move, the camera, because without the camera, film is just a stage or television - nothing.
His fingers leave streaks of cold on my skin, invisible to the eye, and I think about wrapping his shirt around my fist and pulling him in to kiss me; I think about pressing myself against him, but I can't, because all our secrets would keep a space between us.
The most difficult thing for me is keeping yourself focused on what you're doing. As you go play, you try to get your focus and desire. You don't do it to the level you would do it if you wanted to win. You have to work at it and be on top of your game.
You put your camera around your neck along with putting on your shoes, and there it is, an appendage of the body that shares your life with you. The camera is an instrument that teaches people how to see without a camera.
When you are interviewing someone, never let your camera person turn off the camera. The second you turn off the camera, they'll say the magic thing that you'd been looking for the whole interview. People want to relax after the performance is done. Don't be afraid of awkward silence. That is your friend.
Put me on telly, and I think I have a relaxation on camera that makes an audience relax, too. It's not a conscious thing. Cameras don't bother me, whereas other people try to perform to them.
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