A Quote by Henri Cole
In truth, I'm still slightly embarrassed to say, I am a poet. I'd rather say, I make poems.
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It's a big thing to call yourself a poet. All I can say is that I have always written poems. I don't think I'm interested in any discussion about whether I'm a good poet, a bad poet or a great poet. But I am sure, I want to write great poems. I think every poet should want that.
I wrote poetry for seven or eight years, maybe longer, before I could say I was a poet. If people asked, I'd say I wrote poetry; I wouldn't go further. I was in my mid- to late-thirties before I felt that I was a poet, which I think meant that I had begun to embody my poems in some way. I wasn't just a writer of them. Hard to say what, as a poet, my place in the world is. Some place probably between recognition and neglect.
I have to say, our kind of music was always a struggle live. Quiet vocals and really loud drums and guitars, it was quite tricky. It still can be. I'm slightly amazed that other bands say that, because I'm still like, "Oh God, what am I doing?"
There is nothing “still” in the remarkably visceral poems of Alexander Long's third collection, Still Life, and nothing is at rest in these restless and edgy poems. Conversational and kinetic, these poems chart the traces left by the shifting overlays of the templates of literature, rock-and-roll, and contemporary culture. As each poem in Still Life attempts to fix a focus upon a scene or subject, the protean natures under view draw the poet into the eddies and complexities of reflection. This is a powerful and moving collection of poems.
I would say, and this sounds like a rather immodest thing to say, but the truth is it's probably the most amazing thing of all, it's pretty much exactly what I thought we were going to make, what I hoped we'd make.
My poems are certainly in the lyric tradition, but perhaps a reader can tell me more precisely who I am as a poet. How can I be so old and not know? I have always been deeply grateful for the urge to write, the desire to create, that's certain. Writing has always been the way I make sense of life. Perhaps my poems define me, rather than the other way around. They do constantly surprise me.
My sense of the poet is classical - the poet is one who makes poems. In each book, I develop and repeat certain general themes - time, place, memory, God, history, class, race, beauty, love, poetry, identity. The core identity is the poet making the poems.
If poems very different from my own bring pleasure to a group of readers, who am I to say that the poems should have been written differently?
I can say, 'Well, I'm a male. I'm a male human. I'm a medical doctor. I'm an author...' If I go to a religious point of view, I will say, 'I am a soul. I am a spirit.' If I go into science, I will say, 'I am energy. I am light.' But the truth is I have no idea what I am.
I cannot say I'm a poet. That's for someone when they take in consideration where they can bestow 'poet' on. I can't do it. But I would be disingenuous if I didn't say that my intention is poetry.
Say not, 'I have found the truth,' but rather, 'I have found a truth.' Say not, ' I have found the path of the soul.' Say rather, 'I have met the soul walking upon my path.' For the soul walks upon all paths. The soul walks not upon a line, neither does it grow like a reed. The soul unfolds itself, like a lotus of countless petals.
Our weights fluctuate: Some people gain or lose, even friends who are average size. If I would say 'I'm fat,' my friends would say, 'Don't say that!' And I'd think, 'Are you offended, you can't handle the word? Or do you think I am embarrassed?'
When I say you don't have to be a believer, you just have to say - you have to ask the question to say am I concerned about the tough questions in life, being introspective enough to say, who am I, why am I, what am I?
To make money, I did portraits . The truth is so bizarre! I'm kind of embarrassed. I was like a 19th-century pirate painter. I'd say, 'Your mom would love a painting of you!' A salesman! I'd hawk paintings.
You can say, 'I am a poet, rock-climbing shaman, and my name is Hiawatha Moonbeam,' and people in America will say, 'Hey, that's great. All power to you, man'.
Sometimes people come up and they get infatuated with some little brief imagistic poem or something, and they say, "Oh, I really like your Zen poems." And I say, "Which ones are not Zen poems?"
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