A Quote by Henri de Toulouse-Lautrec

Monet's work would have been even greater if he had not abandoned figure-painting. — © Henri de Toulouse-Lautrec
Monet's work would have been even greater if he had not abandoned figure-painting.
People want to know those details. They think it gives them greater insight into a piece of art, but when they approach a painting in such a manner, they are belittling both the artist’s work and their own ability to experience it. Each painting I do says everything I want to say on its subject and in terms of that painting, and not all the trivia in the world concerning my private life will give the viewer more insight into it than what hangs there before their eyes. Frankly, as far as I’m concerned, even titling a work is an unnecessary concession.
Have not Manet and Monet, Cézanne and Matisse, rendered to painting something of the same service which Keats and Shelley gave to poetry after the solemn and ceremonious literary perfections of the eighteenth century? They have brought back to the pictorial art a new draught of joie de vivre; and the beauty of their work is instinct with gaiety, and floats in sparkling air. I do not expect these masters would particularly appreciate my defence, but I must avow an increasing attraction to their work.
It was a figure painting class, where you had a model, and [Robert von Neumann ] would wander around and he'd come up behind someone and say, "Well, what are you trying to do?" And if you told him what you were trying to do, he would then proceed to discuss this with you and suggest things that you might look at and ways in which you could improve what you were attempting to do, etc - never worked on your painting, never touched your painting but talked extensively about what you were trying to do.
I had the desire to paint the figure without actually painting the figure.
If the rate of expansion one second after the Big Bang had been smaller by even one part in a hundred thousand million million, it would have recollapsed before it reached its present size. On the other hand, if it had been greater by a part in a million, the universe would have expanded too rapidly for stars and planets to form.
If I had been around when Rubens was painting, I would have been revered as a fabulous model. Kate Moss? Well, she would have been the paintbrush.
It all made sense - terrible sense. The panic she had experienced in the warehouse district because of not knowing what had happened had been superseded at the newsstand by the even greater panic of partial knowledge. And now the torment of partly knowing had yielded to the infinitely greater terror of knowing precisely
I love Monet - I've nicknamed him King Blob. When you go up to the painting, it's a series of blobs - amazing.
I feel like it's almost a Renaissance thing, a painting, a modern version of a painting. I think it's important for Kim [Kardashian] to have her figure. To not show it would be like Adele not singing.
I love Monet: his 'Water Lilies' would look great on my wall. But would I prefer to see money helping kids get better from cancer rather than spending it on a work of art for my own personal indulgence? Yes, I probably would.
If women had better access to the financial system - even so much as a basic deposit account at a bank - it would be a major step in the direction of greater wealth and greater economic empowerment.
I had tried painting, mostly to give myself a greater appreciation of the craft and to inform how I looked at paintings. That led to collaging some of the work I had done on paper, and I found myself mixing in found pieces as well.
I have ridiculously bad eyesight, but I have learned to live with an impressionistic view. Life is a Monet painting. I wander around enjoying myopia.
I liked painting, very early on, even more than drawing. I used poster paint on posterboard. I would copy images that I liked from magazines and books and combine them to make a "collage" kind of painting. In some ways, this is similar to how I work today.
I'm still trying to figure out how to write about cancer and my family's experience with it. If I had been able to write 'The Pura Principle' back in those days, I'm positive it would have had no humor in it. Which means the story would have been false.
If I never had this knee injury I would've been on the field and I probably would've been feeling out of shape and that I've got to work even harder. I'd be taking shots to the chest. I could've died on the field.
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