A Quote by Henri Frederic Amiel
You desire to know the art of living, my friend? It is contained in one phrase: make use of suffering.
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Art is not living. It is the use of living. The artist has the ability to take the living and use it in a certain way and produce art.
The world is full of suffering. Birth is suffering, decre- pitude is suffering, sickness and death are sufferings. To face a man of hatred is suffering, to be separated from a beloved one is suffering, to be vainly struggling to satisfy one's needs is suffering. In fact, life that is not free from desire and passion is always involved with suffering.
Desire is suffering. A simple equation, and a nice catchphrase. But flipped around, it is more troubling: suffering is desire.
Use all your suffering for meditation, and soon you will come to know that the suffering disappears because the energy starts moving inwards. It is not moving to the periphery, to the suffering, you are not feeding your suffering. It looks illogical, but this is the whole conclusion of all the mystics of the world: that you feed your suffering and you enjoy it in a subtle way, you don't want to be well—there must be some investment in it.
We are all going, I thought, and it applies to turtles and turtlenecks, Alaska the girl and Alaska the place, because nothing can last, not even the earth itself. The Buddha said that suffering was caused by desire, we'd learned, and that the cessation of desire meant the cessation of suffering. When you stopped wishing things wouldn't fall apart, you'd stop suffering when they did.
So many people think that practicing an art is a good way to make a living. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. I'm talking about singing in the shower, I'm talking about dancing to the radio, I'm talking about writing a poem to a friend.
Take a bunch of little kids to the beach and they all make art. Adults are too stupid to call it art, but it is art. They'll use their imaginations, make drama, make up characters, make pictures in the sand, they'll make up songs that no one's ever heard before. All kids, I think, are creative, but they get it pounded out of them in school.
The Buddha never intended to make desire itself the problem. When he said craving causes suffering, he was referring not to our natural inclination as living beings to have wants and needs, but to our habit of clinging to experience that must, by nature, pass away.
You know, Obama says we can't use the word "terrorism." We can't use the word "foreign." We can't use any of these provocative words that insult them. "Islamic terrorism" is a phrase not permitted to be used by the US government.
What lasts in the reader's mind is not the phrase but the effect the phrase created: laughter, tears, pain, joy. If the phrase is not affecting the reader, what's it doing there? Make it do its job or cut it without mercy or remorse.
If you stuck me in a room and gave me art-making tools but told me no one would ever see the results, I don't think I'd have much desire to make art. What I do comes from a deep desire to be seen and to see others.
I surrender this rifle to you through my young son, whom I now desire to teach in this manner that he has become a friend of the Americans. I wish him to learn the habits of the whites and to be educated as their sons are educated. I wish it to be remembered that I was the last man of my tribe to surrender my rifle. This boy has given it to you, and he now wants to know how he is going to make a living.
I consider myself to be a true friend of the Israeli people. But I define friendship as someone who takes care of a friend, who just doesn't use or exploit a friend. And, you know, there's that old adage: 'Friends don't let friends drive drunk'.
To emphasize the importance of beauty is to connect art again to emotion and desire. To find something or someone beautiful is not simply to appreciate what you now see or know about them. It also involves the desire to get to know them better, in the hope that what you will discover will, in some way that you can't know at the time, make your life better, just as your relationship with it so far has also made it better.
What inspires me is the desire to be on. The desire to be successful. The desire to reach people through my music and make a living off it and never have to do anything else. Being able to do music full time and travel the world and share this music with everybody. That's the dream.
In the "Intervention" section of the book we go into that looping from a battery of positions (where healer and sufferer are blurred). I'm very interested in "repetition and revision" (to use Suzan Lori-Parks's phrase) and in the culture's desire to loop or repeat.
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