A Quote by Henri Langlois

There is no Garbo! There is no Dietrich! There is only Louise Brooks! — © Henri Langlois
There is no Garbo! There is no Dietrich! There is only Louise Brooks!

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Yes, Louise Brooks was beautiful and intelligent, and she could be very funny, but obviously there was a deep insecurity there, a real destructive rage and immaturity.
I think it's mainly when I need inspiration I look at the old pictures. I don't find it as much in the new stuff. I love Carole Lombard. I think she's wonderful. Gloria Grahame was really great. Garbo. Dietrich. People knew how to create an illusion. Now everything is very realistic and straightforward. Everyone's grunge.
I could be the Greta Garbo of comedy, very secluded, but Garbo had a man who was beyond rich to support her.
Because for that day, I really did become Lulu. Maybe not from the film or the real Louise Brooks, but my own idea of what Lulu represented. Freedom. Daring. Adventure. Saying yes.
I think movies also played a part in my interest in fashion. I've also always been hooked on the movies. From my early teens on, I always had my favorite movie stars who I admired, like Carole Lombard and Greta Garbo and Marlene Dietrich, and the men in my life who I loved, like Gary Cooper.
I always found Louise Brooks interesting. She was an icon of the silent - film era, and I knew she'd grown up in Kansas, and that she was smart and rebellious and sharp - tongued.
I'm drawn to intergenerational tension, and it must have been strong in the 1920s: I wondered how Louise's [Brooks] generation of flappers appeared to the women who came of age at the beginning of the century - wearing corsets, long skirts, and high collars.
As a language, Garbo's singularity was of the order of the concept, that of Audrey Hepburn is of the order of the substance; the face of Garbo is an Idea, that of Hepburn, an Event.
I was certainly seriously emotionally affected [ when Louise Hillary and Belinda Hillary died], but we were building the hospital at the time and I decided that the only thing to do was to carry on and complete the hospital - and it was a jolly good hospital too, I might say. So I really did it by working and working on the things that Louise and I had been working on.
While I was writing the book, I went to see Louise Brooks's most famous film, Pandora's Box, at the Tivoli in Kansas City, and it was a lovely experience. You can watch old silent films on DVD or even on YouTube, but it was a different feeling watching her up on the big screen, seeing the film the way people saw it all those years ago.
They wanted me to play third like Brooks so I did play like Brooks - Mel Brooks.
The only actress they didn't test was Garbo. Must have been her accent.
Well with girls I don't get no respect. I had a blind date. I waited two hours on the corner. A girl walked by. I said Are you Louise? She said, Are you Rodney? I said, Yeah. She said, I'm not Louise.
Very few people rise that high, to be a performer known as only one name. Caruso... Valentino... Hitchcock... Garbo.
Marlene Dietrich and Roy Rogers are the only two living humans who should be allowed to wear black leather pants.
When I was probably in middle school I saw the mini series Angels in America for the first time and I think Mary Louise Parker's performance in that first of all sparked a deep obsession with Mary Louise Parker, but I also really love Amy Adams because she gets to do comedy and drama so consistently.
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