A Quote by Henri Matisse
All that is not useful in a picture is detrimental. A work of art must be harmonious in its entirety; for superfluous details would, in the mind of the beholder, encroach upon the essential elements.
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Be methodical if you would succeed in business, or in anything. Have a work for every moment, and mind the moment's work. Whatever your calling, master all its bearings and details, its principles, instruments and applications. Method is essential if you would get through your work easily and with economy of time.
You’re getting rid of the things that people used to think were essential to art. But that reduction is only incidental. I object to the whole reduction idea…if my work is reductionist it’s because it doesn’t have the elements that people thought should be there. But it has other elements I like.
A work of art must carry in itself its complete significance and impose it upon the beholder even before he can identify the subject-matter.
The elements of a good story are most definitely details, little bitty details. That does it, especially when you're describing, when you're setting the scene and everything. It's like you're painting a picture, so details are very important. Also, the music gotta be right. The music can really set the tone for the story and let you know what the story is gonna be about, but definitely, it's the vibe in the place where you at and the detail.
We must make automatic and habitual, as early as possible, as many useful actions as we can. . . . The more of the details of our daily life we can hand over to the effortless custody of automatism, the more our higher powers of mind will be set free for their own proper work.
Art itself is essentially ethical; because every true work of art must have a beauty or grandeur of some kind, and beauty and grandeur cannot be comprehended by the beholder except through the moral sentiment. The eye is only a witness; it is not a judge. The mind judges what the eye reports to it; therefore, whatever elevates the moral sentiment to the contemplation of beauty and grandeur is in itself ethical.
The pictures come to me in my mind, and if to me it is a worthwhile picture I paint it I do over the picture several times in my mind and when I am ready to paint it I have all the details I need.
It would add much to human happiness, if an art could be taught of forgetting all of which the remembrance is at once useless and afflictive, that the mind might perform its functions without encumbrance, and the past might no longer encroach upon the present.
Wyatt Earp and the Holy Grail: The Tale of the Three Gates is a look at humankind's relationship to the elements which surround them. Oftentimes, these elements encroach on them in a way that is not normal.
The motif must always be set down in a simple way, easily grasped and understood by the beholder. By the elimination of superfluous detail, the spectator should be led along the road that the artist indicates to him, and from the first be made to notice what the artist has felt.
I think that maps showing platform details would be useful to visitors, especially to chaperones of school groups, etc. Also useful would be either a compass rose or an arrow pointing North at every metro exit. Emerging from underground is disorienting, especially at night.
There must be something in oneself which is essential. Therefore I refrain from referring to a landscape or certain objects when speaking of a picture. The hand is cleverer than the mind.
Cinema is a composite art into which you can include all conceivable art or entertainment forms. In film, I can work with novelistic elements, comedy, drama, music, and other forms of entertainment. Film is a versatile expression, combining all elements into one art form.
The notion that there is no basic value system is far more incoherent or invalid than the notion that there are essential values. Every religion can tell you it has basic values. You ask a Christian, most Christians would say love God and love your neighbor. Is that the entirety of Christianity? No one in his right mind would say it is.
Art is a mind-game that we do to make our lives easier. If it isn't for that, it becomes superfluous.
In every art we are always obliged to return to the accepted means of expression, the conventional language of the art. What is a black-and-white drawing but a convention to which the beholder has become so accustomed that with his mind's eye he sees a complete equivalent in the translation from nature?
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