A Quote by Henri Matisse

A young painter who cannot liberate himself from the influence of past generations is digging his own grave. — © Henri Matisse
A young painter who cannot liberate himself from the influence of past generations is digging his own grave.
It is often to be observed, that as in digging for precious metals in the mines, much earthly rubbish has first to be troublesomely handled and thrown out ; so, in digging in one s soul for the fine gold of genius, much dulness and common-place is first brought to light. Happy would it be, if the man possessed in himself some receptacle for his own rubbish of this sort: but he is like the occupant of a dwelling, whose refuse cannot be clapped into his own cellar, but must be deposited in the street before his own door, for the public functionaries to take care of.
How can one liberate the many? By first liberating his own being. He does this not by elevating himself, but by lowering himself. He lowers himself to that which is simple, modest, true; integrating it into himself, he becomes a master of simplicity, modesty, truth.
Do what he will, he [the profane man] is an inheritor. He cannot utterly abolish his past, since he himself is a product of his past. He forms himself by a series of denials and refusals, but he continues to be haunted by the realities that he has refused and denied. To acquire a world of his own, he has desacralized the world in which his ancestors lived; but to do so he has been obliged to adopt an earlier type of behavior, and that behavior is still emotionally present in him, in one form or another, ready to be reactualized in his deepest being.
There comes a time when a man finds himself in front of a dark uncrossable abyss, which he himself has spent years digging. He cannot go forward, and has no way back. Words have failed, tears won't help, and who would he call out to? He can't even remember his own name. Then the man sees that on this god's green earth there is but one true suffering: the torment of guilty conscience.
Everybody is looking with his own world of desires, expectations, passions, lust, greed, anger. There are a thousand and one things standing between you and your world; that's why you don't ever see it as it is. Once your eye is completely clean, clean of all the dust, once it becomes a pure mirror, it reflects that which is. And that is truth and truth liberates, but it has to be your own. My truth cannot liberate you, Buddha's truth cannot liberate you. There is only one possibility of liberation, that is your own truth. And all that you have to do is to create a dispassionate eye.
A man cannot free himself from the past more easily than he can from his own body.
It is the nature of slavery to render its victims so abject that at last, fearing to be free, they multiply their own chains. You can liberate a freeman, but you cannot liberate a slave.
Man cannot be free if he does not know that he is subject to necessity, because his freedom is always won in his never wholly successful attempts to liberate himself from necessity.
If a person is cold and rigid, he feels within himself as if he were in a grave. He is not living, he cannot enjoy this life for he cannot express himself and he cannot see the light and life outside. What keeps man from developing the heart quality? His exacting attitude. He wants to make a business of love. He says, 'If you will love me, I will love you.' As soon as a man measures and weighs his favors and his services and all that he does for one whom he loves, he ceases to know what love is. Love sees the beloved and nothing else.
I think a lot of people, not all of them, but a bunch of TV people put Donald Trump on television thinking he's making a fool of himself and thinking that he's making a fool of the GOP. I think early on that's what the Republican establishment thought. "Oh, let's hear more of this guy. He's just helping us left and right. He's digging his own grave here."
I don't want to be the person digging my own grave.
An aged painter cannot help but accept the fact that his work belongs in the past. Younger painters have leaped into the phenomenon called contemporary, where it would be foolish of me to try to enter. But I can claim my own phenomenon.
When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.
First of all, although men have a common destiny, each individual also has to work out his own personal salvation for himself in fear and trembling. We can help one another to find the meaning of life no doubt. But in the last analysis, the individual person is responsible for living his own life and for "finding himself." If he persists in shifting his responsibility to somebody else, he fails to find out the meaning of his own existence. You cannot tell me who I am and I cannot tell you who you are. If you do not know your own identity, who is going to identify you?
As a father I can't imagine the pain of digging my own child's grave.
He who seeks to approach his own buried past must conduct himself like a man digging... This confers the tone and bearing of genuine reminiscences. He must not be afraid to return again and again to the same matter; to scatter it as one scatters earth, to turn it over as one turns over soil.
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