A Quote by Henri Matisse

The splitting up of color [as Impressionists did] brought the splitting up of form and contour . . . Everything is reduced to a mere sensation of the retina, but one which destroys all tranquility of surface and contour. Objects are differentiated only by the luminosity that is given them.
Take hold of objects by their centres, not by their lines of contour... The contour accentuated uniformly and beyond proportion, destroys plasticity, bringing forward those parts of an object which are always most distant from the eye - namely its outlines.
Don't contour with blush - that's so eighties. It was an amazing trend then, but it's not hot now. Instead, go for a neutral contour color that's one or two shades deeper than your skin tone.
I like to do my contour the bronzy kind of way so it is not too strong and you can see the highlights on the cheekbones. I use bronzer as my contour.
Every human body has its optimum weight and contour, which only health and efficiency can establish. Whenever we treat women's bodies as aesthetic objects without function we deform them.
If you are ideologically opposed to income splitting for families, why wouldn't you scrap it for seniors? What is the distinguishing principle between income splitting for people with kids and income splitting for people who are retired?
Through the discovery of Buchner, Biology was relieved of another fragment of mysticism. The splitting up of sugar into CO2 and alcohol is no more the effect of a 'vital principle' than the splitting up of cane sugar by invertase. The history of this problem is instructive, as it warns us against considering problems as beyond our reach because they have not yet found their solution.
The only work I did for the next five years after splitting from Vincent was work I'd already lined up.
During a period of time when Italy is talking about splitting northern and southern Italy, France is talking about splitting with Corsica and Normandy, England is talking about splitting with Wales and Scotland and England. And it goes on and on and on.
The river of truth is always splitting up into arms that reunite. Islanded between them, the inhabitants argue for a lifetime as to which is the mainstream.
All my early memories are of forms and shapes and textures. Moving through and over the West Riding landscape with my father in his car, the hills were sculptures; the roads defined the form. Above all, there was the sensation of moving physically over the contours of fullnessess and concavities, through hollows and over peaks - feeling, touching, seeing, through mind and hand and eye. This sensation has never left me. I, the sculptor, am the landscape. I am the form and the hollow, the thrust and the contour.
One thing I really don't like seeing is when girls do a full contour and then foundation and then powder and then more contour and it's a full face of makeup. I don't like that at all.
I was so tiny when my parents split up that I can't remember them ever being together. That was never an issue, as I guess I never went through the trauma of them splitting up.
Mum wasn't scared of dad but I'm sure she got fed up with him taking her for granted... When I look back it was an empty relationship but I doubt there was ever a question of them splitting up. It wasn't the done thing.
A writer works from the material she has, but it comes from the unconscious. Everything is stored up and one never knows what comes up to the surface at a given moment. A period of gestation is certainly needed, what Wordsworth called ‘emotion recollected in tranquility.’ You cannot write about an experience when you are living it, suffering it. You are too busy surviving to look at it objectively. At least I can’t.
I think it's ridiculous when a character wakes up in the morning with lipstick and foundation and contour and fake eyelashes and hair done.
The impressionistic method leads into a complete splitting and dissolution of all areas involved in the composition, and color is used to create an overall effect of light. The color is, through such a shading down from the highest light in the deepest shadows, sacrified an degraded to a (black-and-white) function. This leads to the destructions of the color as color.
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