A Quote by Henri Matisse
In art, truth and reality begin when one no longer understands what one is doing or what one knows, and when there remains an energy that is all the stronger for being constrained, controlled and compressed.
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Truth and reality in art begin at the point where the artist ceases to understand what he is doing and capable of doing - yet feels in himself a force that becomes steadily stronger... and more concentrated.
The energy within you is stronger than ever for being held back, compressed, and said No to.
When a man's life is over, it remains true that he was one sort of man and not another. A man who understands himself under the form of eternity knows the quality that eternally belongs to him, and knows that he cannot wholly die, even if he would, for when the movement of his life is over, the truth of his life remains.
Truth and reality in art do not arise until you no longer understand what you are doing and are capable of but nevertheless sense a power that grows in proportion to your resistance.
What Mr. Loughner knows is that he has the full support of a major political party in this country ... he knows that ... the Democrat party is attempting to find anybody but him to blame. He knows if he plays his cards right, he's just a victim. ... This guy clearly understands he's getting all the attention and he understands he's got a political party doing everything it can, plus a local sheriff doing everything that they can to make sure he's not convicted of murder -- but something lesser.
Abstract art is only painting. And what's so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality; there is no longer any danger as the idea of the object has left an indelible imprint.
Art breaks open a dimension inaccessible to other experience, a dimension in which human beings, nature, and things no longer stand under the law of the established reality principle...The encounter with the truth of art happens in the estranging language and images which make perceptible, visible, and audible that which is no longer, or not yet, perceived, said, and heard in everyday life.
I believe it is urgent to begin now, before we are constrained by a totally controlled society monitoring limited resources on the planet. Now is the time to establish our extraterrestrial base in freedom; later it may be under the coercion of necessity.
But the elastic heart of youth cannot be compressed into one constrained shape long at a time.
Clinton understands that climate change is real, is caused by human activity and is one of the great environmental crises facing our planet. She knows that we must transform our energy system away from fossil fuels and move aggressively to energy efficiency and sustainable energy.
For the records I've work on over the last 10 years, I get sent the really compressed version and the non-compressed version, and oftentimes you end up going with the more compressed one because it's what people's ears are attuned to. I think the bigger problem is saturation and people being desensitized.
I direct with energy. I believe in energy. I think energy is an electric thing in actors. I try to inspire, encourage, and make choices with lots of energy. And truth. I'm big fan of truth and being funny. I like leading 50 people into battle every day.
Art is not truth. Truth conforms to reality. Art invents reality.
Power comes from doing meditation, leading a controlled life, being conservative, not wasting all your energy on drugs, alcohol and sex and other pastimes. The guideline for all experience is how you feel afterwards.
All great art is by its very essence in conflict with the society with which it exists. It expresses the truth about the existence regardless of whether this truth serves or hinders the survival purpose of a given society. All great art is revolutionary because it touches upon the reality of man and questions the reality of the various transitory forms of human society.
If thou art wise, incline to truth; for truth, not the semblance, remains in its place.
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