A Quote by Henri Matisse

What matters most to me? To work with my model until I have it enough in me to be able to improvise, to let my hand run free. — © Henri Matisse
What matters most to me? To work with my model until I have it enough in me to be able to improvise, to let my hand run free.
Every now and then, they ask me to come in and improvise with Stanley Tucci for an afternoon. They fly me off to America, I improvise for an afternoon - it's not the hardest, most taxing job.
What really matters is the work. And what matters to me is doing the work. I'm not looking at the back end: "What am I going to get out of this? What's going to be the reward?" I'm just looking at the work, the pleasure of being able to do the work. And that's what the fun is: To climb up the mountain is the fun, not standing at the top. There's nowhere to go. But climbing up, that struggle, that to me is where the fun is. That to me is the thrill. But once that's over, that's kind of it. I don't look too much beyond that.
Half-jokingly, I asked what was wrong with me. So we made a deal: I would run his biological research provided I had a free hand to run my new project.
Do not be critics, you people, I beg you. I was a critic and I wish I could take it all back because it came from a smelly and ignorant place in me, and spoke with a voice that was all rage and envy. Do not dismiss a book until you have written one, and do not dismiss a movie until you have made one, and do not dismiss a person until you have met them. It is a f@*$%load of work to be open-minded and generous and understanding and forgiving and accepting, but Christ, that is what matters. What matters is saying yes.
I am free, and always have been; free to accept my own reality, free to trust my perceptions, free to believe what makes me feel sane even if others call me crazy, free to disagree even if it means great loss, free to seek the way home until I find it.
See, that's the thing: I'm not one of those actors who thinks, 'God, I've got to improvise and make it my own.' No, my first job as an actor is to take what's written and make it work. And then, if they want me to improvise, I'll do that.
[Identity liberalism] says, on the one hand, you can never understand me because you are not exactly the kind of person I've defined myself to be. And on the other hand, you must recognize me and feel for me. Well, if you're so different that I'm not able to get into your head and I'm not able to experience or sympathize with what you experience, why should I care?
In front of the model I work with the same will to reproduce truth as if I were making a portrait. I do not correct nature, I incorporate myself into it; it directs me. I can only work with a model. The sight of human forms nourishes and comforts me.
I would work until I got stuck, and I would put it down and pick up something else. I might be able to take a 20-minute nap and get to work again. That way, I was able to work about 10 hours a day... It was important to me to work every day. I managed to work on Christmas day, just to be able to say I worked 365 days a year.
If you give me a bass guitar and you ask me to improvise something, or even be with some musicians and follow them, I wouldn't be able to do it. And I want to change that.
For a moment, she was quiet. Then she grabbed my hand, whispered, “Run run run run run,” and took off, pulling me behind her.
Choose something that you're passionate about. So for me, that's creating jobs for women who don't have a voice. I would like to be their voice until they're strong enough and on their feet to have their own and really be heard. The way that I can do that is not necessarily by hand-outs, because my hand-outs wouldn't be great enough to really affect change. It's by providing jobs.
I keep "leave me alone, I'm busy " pretending to work sign with me because my dad once told me to find a job that you would do for free and I would do this job for free. But I would be a performer for free because that's all I've ever loved to do. I've worked so hard to get to the point where work doesn't feel like work. So when I come to work, I'm actually coming to play - I'm coming to recess. So, when you see me, leave me alone, I'm busy ... pretending to work.
I'm not a real musician. If you give me a bass guitar and you ask me to improvise something, or even be with some musicians and follow them, I wouldn't be able to do it. And I want to change that. I want to be able to be in a group and take my guitar and play with them, without someone showing me, "Okay, you're going to do this and that," because music has always been a big part of my life.
My mom didn't run for mayor until she was 65 years old - it was like a second and third career.... The way I've always thought about it is that I don't believe you run for office because you want a job. I believe if you run for office, it's because you have a vision for change. And if I ever came to that point, that's what would lead [me to run]. And right now I'm happily in a position where I believe I can work to deliver impact and work for change.
All the youth now in England of free men, who are rich enough to be able to devote themselves to it, be set to learn as long as they are not fit for any other occupation, until they are able to read English writing well.
This site uses cookies to ensure you get the best experience. More info...
Got it!