A Quote by Henri Matisse
I have always tried to hide my efforts and wished my works to have a light joyousness of springtime which never lets anyone suspect the labors it has cost me.
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Being pure in my voice has always served me the best. Anytime I've tried to hide my light under a bushel, it's never done me any good.
And if you love the light, then you come to the light to be proved, and tried whether your works be wrought in God. But that which hates the light, turns from the light, and that shall be condemned by the light forever. And though you may turn from the light, where the unity is, and you may turn from the eternal truth; but from the witness of God in your consciences, (which he hath places in you, which beareth witness for the living God,) you can never fly; that shall pursue you wherever you go.
By ecstasy I mean inner joyousness, and by inner joyousness I mean those inspirational fires which burn within the consciousness of great geniuses, fires which give to them an inconquerable vitality of spirit which breaks down all barriers as wheat bends before the wind.
Good men sometimes make mistakes. A man of integrity will honestly face and correct his mistakes, and that is an example we can respect. Sometimes men try but fail. Not all worthy objectives are realized despite one’s honest and best efforts. True manhood is not always measured by the fruits of one’s labors but by the labors themselves–by one’s striving.
With equal passion I have sought knowledge. I have wished to understand the hearts of men. I have wished to know why the stars shine. And I have tried to apprehend the Pythagorean power by which number holds sway about the flux. A little of this, but not much, I have achieved.
As an artist I have always tried to be faithful to my vision of life, and I have frequently been in conflict with those who wanted me to paint not what I saw but what they wished me to see.
Save me from the ranks of the freaks who suspect they can never love anyone.
I never wanted to be like other blues singers. I might like hearing them play, but I've never wanted to be anyone other than myself. There are a few people that I've wished I could play like, but when I tried, it didn't work.
I never tried forcing anyone to understand me. Everybody has their own opinion. But I will always be happy the way I am.
I always wished I could go to confession. I was so full of things I couldn't name and had an instinct to hide. I felt burdened by the loneliness of my interior life. I wanted some container that I could empty myself into, some ear that would never be shocked, even if it offered me some kind of penance.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
It is inconceivable that anyone could say we have tried to hide anything
I have never imagined being or wished to be chosen as something important in the world. I have always tried to be a humble servant of God and a humble member of humanity.
Everybody knew me as a gay man, and in my life in London, I never tried to hide.
But also remember: if you have any genuine feelings, hide them like treasure; never let anyone so much as suspect them, or you're lost. Instead of being the executioner, you'll be the victim. And if you ever fall in love, keep that absolutely secret! Never breathe a word until you're completely sure of the person to whom you open your heart. And to protect that love, even before you feel it, learn to despise the world.
works of art feel towards human beings exactly as we do towards ghosts. The transparency of spectres, the diffuseness in space which lets them drift through doors and walls, and their smell of death, disgust us not more than we disgust works of art by our meaninglessness, our diffuseness in time which lets us drift through three score years and ten without a quarter as much significance as a picture establishes instantaneously.
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