A Quote by Henri Nouwen
the real "work" of prayer is to become silent and listen to the voice that says good things about me. To gently push aside and silence the many voices that question my goodness and to trust that I will hear the voice of blessing-- that demands real effort.
Related Quotes
The real 'work' of prayer is to become silent and listen to the voice that says good things about me.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
But what I would like to say is that the spiritual life is a life in which you gradually learn to listen to a voice that says something else, that says, "You are the beloved and on you my favour rests."... I want you to hear that voice. It is not a very loud voice because it is an intimate voice. It comes from a very deep place. It is soft and gentle. I want you to gradually hear that voice. We both have to hear that voice and to claim for ourselves that that voice speaks the truth, our truth. It tells us who we are.
Real courage is holding on to a still voice in your head that says, 'I must keep going.' It's that voice that says nothing is a failure if it is not final. That voice that says to you, 'Get out of bed. Keep going. I will not quit.'
By suggestion and example, I believe children can be helped to hear the many voices about them. Take Time to listen and talk about the voices of the earth and what they mean-the majestic voice of thunder, the winds, the sound of surf or flowing streams.
The tongue is a small member, but it does big things. A religious who does not keep silence will never attain holiness; that is, she will never become a saint. Let her not delude herself - unless it is the Spirit of God who is speaking through her, for then she must not keep silent. But, in order to hear the voice of God, one has to have silence in one's soul and to keep silence; not a gloomy silence but an interior silence; that is to say, recollection in God.
It is very hard to live with silence. The real silence is death and this is terrible. To approach this silence, it is necessary to journey to the desert. You do not go to the desert to find identity, but to loses it, to lose your personality, to be anonymous. You make yourself void. You become silence. You become more silent than the silence around you. And then something extraordinary happens: you hear silence speak.
A great silence has descended on me for the last six months. I am as silent as an Arab in the desert, as dry, thirsty, and full of wonder and rumours which do not materialize into camels or travellers at all, but just vanish into the silent spaces from where they came. I expect this is a good thing though it is extremely irritating - the brink of a voice and never a voice.
As I look back I know that most of the mistakes I have made have come when I didn't listen to myself, when I didn't trust my instincts... I believe you need to listen, carefully, to hear your inner voice. And then, you have to do what it says.
Real music will make you more and more refined. It will become more and more silent. In fact, real music will help you to listen to silence, where all notes disappear, where only gaps remain. One note comes, disappears, and another has not come, and there is a gap. In that gap meditation flows in you.
It's an interesting and demanding art to do voices. I have been told so many times that I have a distinctive voice, but of course, I don't hear my own voice as others do, so I don't know.
The dog who doesn't bark is about a silence that speaks; it is a good metaphor for the Pariah voice, the dog's voice, that we can sometimes hear only when it does not speak.
The Western governments will be encouraged and persuaded to deal with the real representatives and listen to the real voice of the Kurdish people.
I will have my voice: Indian, Spanish, white. I will have my serpent's tongue - my woman's voice, my sexual voice, my poet's voice. I will overcome the tradition of silence.
The impulse to create begins - often terribly and fearfully - in a tunnel of silence. Every real poem is the breaking of an existing silence, and the first question we might ask any poem is, What kind of voice is breaking silence, and what kind of silence is being broken?
The imagination says listen to me. I am your darkest voice. I am your 4 a.m. voice. I am the voice that wakes you up and says this is what I'm afraid of. Do not listen to me at your peril.... The imagination is not our escape. On the contrary, the imagination is the place we are all trying to get to.
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