A Quote by Henri Nouwen
There are areas I have to work on. I had some questions and some struggles, but it was an enormously important time for me.
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You have a sense that [Donald] Trump will probably reimagine where the Republican Party is on that issue and some others. But then I think conservatives may win in some areas, too - tax reform. So it's just - it's an enormously exciting time in terms of the possibilities.
I keep getting more and more ambitious. Over the years, to some degree, in some areas, I feel I've grown. In some areas, I made a fool of myself. In some areas, I think I can still do some funny things.
I don't have children, but my work life is as important to me as anything could be. I've dedicated a lot of time and energy and years to it. Some might say some of my childbearing years to it. In and of itself, my work is like a child to me. That is my reality.
In my kind of reporting work, you don't parachute in after some big, terrible event, which is important and has to be covered, but offers only a glimpse. It's the kind of work in which you ask, what is my understanding of how the world works, and where can I go to see these questions get worked out in individuals' lives? That was really the question for me: whether I had anything to add to what had already been written.
I like to engage the public because when I was in high school, I had all these questions about anti-matter, higher dimensions and time travel. Every time I went to the library, every time I asked people these questions, I would get some strange looks. Nobody could answer any of these questions.
This clarity made me able to behave normally, which posed some interesting questions. Was everybody seeing this stuff and acting as though they weren't? Was insanity just a matter of dropping the act? If some people didn't see these things, what was the matter with them? Were they blind or something? These questions had me unsettled.
I was lucky. I had some really good people that were just here there and wherever who would come into my life that I felt would answer questions. I mean, I had some very powerful questions myself for what this earth was all about.
When we had segregated schools and when we had a time when, you know, girls weren't allowed to have the same kind of sports teams - I mean, there have been important inflection points for the federal government to get involved in some of the areas around protecting students and ensuring safe environments for them - there is a role to play.
Peace congresses often start by dealing with some of the less important questions in excessive detail, so at the end there is no time to discuss the most important problems.
Too much sparkle can detract from the focal point of the painting, so I blend some areas to tone down the look of the pastels in less important areas.
I think that the exchange is very important. Before I did the exhibition in Shanghai, I was a judge for the John Moores Painting Prize and that was very interesting for me, because some of the judges are Chinese and some are British, and we look at the work together. It was fascinating that most of the time we were in complete agreement, but some of the time we were not. People send their works from all over China. For a foreigner, this gave me a very good picture about what is happening in China and its art today.
I always had a hard time with Nashville. I reluctantly live there. I've mellowed, and it's improved some, in the fact it has more immigrants. There's some real Mexicans there, some folks from India, some of this and that. I'm not satisfied at all with living there. It's a dilemma for me.
I've had some struggles, some times with difficulty and people saying this, people saying that. I've done some things I shouldn't have, but it's about growing up and learning how to be a true professional.
In my life I have had to work through problems of stigmatization and prejudice. When I discovered the power of the arts to express my pains and joys, it became clear to me that there would be no other way to work through the demons except to fully embrace the process of creation. The work was not personal therapy but had a connection to other peoples' realities. As I grow older and more mature, it becomes clearer to me that personal struggles and conflicts are connected with universal struggles and conflicts. It is this knowledge, ironically, that gives me the freedom to experiment in my work
2017 was probably one of the hardest years of my life. There were a lot of personal struggles. I lost some very important people. I had a best friend and then a grandfather pass away. Through it all, skating became an anchor. I used to think of it as a job. Now it was getting me through and giving me hope.
I am interested in struggle - between our hearts and our head, between principle and desire - and one of those struggles is with mortality; and no one at all is immune to it, which makes it even more interesting to me. Some people fall in love, some don't. Some sky dive, some don't. Everyone who lives, ages.
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