A Quote by Henri Nouwen
Living in a community with very wounded people, I came to see that I had lived most of my life as a tightrope artist trying to walk on a high, thin cable from one tower to the other, always waiting for the applause when I had not fallen off and broken my leg.
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In 2010 I had to learn to walk again when I had my legs made the same length, after living with one leg two inches longer than the other until the age of 51.
I don't think you can climb Mount Everest with a broken leg, but I did break my leg prior to going to Mount Everest, so I was really climbing with a healing broken leg. I had the good fortune of climbing the highest mountain on each of the seven continents. That was a goal that I had.
I am trying to walk a tightrope; trying to keep the DJ community happy while trying to spread the message about dance music to more people. That is the mission that I am on.
These events are swirling around them. In the white community, people felt like they had no control over their neighborhoods, their destiny. In the black community, centuries of government and economic forces were pushing on them. I went in with a kind of arrogance, maybe, that came from living in a very intellectual family, and I left knowing that there was a lot about the way people lived that I didn't know about.
She had lived in that house fourteen years, and every year she had demanded of John that she be given a pet of some strange exotic breed. Not that she did not have enough animals. She had collected several wild and broken animals that, in a way, had become exotic by their breaking. Their roof would have collapsed from the number of birds who might have lived there if the desert hadn't killed three- quarters of those that tried to cross it. Still every animal that came within a certain radius of that house was given a welcome-the tame, the half born, the wild, the wounded.
Living on the street as a kid changed the way I looked at everything. It was a different time and while it had its dangers, it was nothing like it would be today. It was the Summer of Love and there was a real sense of community among us. We were hippies who looked out for each other instead of trying to rip each other off. We only had to watch out for the police who liked to roust us just on general principles, and the kids who came in from the suburbs to do a little hippie-bashing.
Patti [ Scialfa] was an artist and a musician and she was a songwriter. And she was a lot like me in that she was transient also. She worked busking on the streets in New York. She waitressed. She had - she just lived a life - she lived a musician's life. She lived an artist's life. So we were both people who were very uncomfortable in a domestic setting, getting together and trying to build one and seeing if our particularly strange jigsaw puzzle pieces were going to fit together in a way that was going to create something different for the two of us. And it did.
I am an artist and a writer, and I do think that one always places oneself in the picture to see where one fits. I left home when I was sixteen and lived in places where it was very easy for me to have fallen the other way. I could have been on the large convoy because I was a woman and I was alone. In India, that's not a joke. I could have ended up very, very badly. I'm lucky that I didn't.
Around age 40 I put on twenty pounds. I had always had a perfect metabolism. But, my metabolism betrayed me as it does most people, except a very rare few who will always be thin.
and even when I was broken the way sometimes one can be broken, and even though I had fallen, I found upon arising that I was stronger than before, that the glories, if I may call them that, which I had loved so much and that had been darkened in my fall, were shinning even brighter and nearly everytime subsequently I have fallen and darkness has come over me, they have obstinately arisen, not as they were, but brighter.
I had a very easy middle class upbringing and never had to worry about anything. But my parents came from nothing and from broken homes, and their stories were always very interesting.
I always felt mean, jogging back over the logging road,As if I had broken the natural order of things in that swampland;Disturbed some rhythm, old and of vast importance,By pulling off flesh from the living planet;As if I had committed, against the whole scheme of life, a desecration.
All my life I've had the privilege to make my living with my imagination, and the most important thing has been to see my creative life grow. I was educated to do that and have lived accordingly.
I grew up as a very sarcastic person. I was always the class clown, and to date girls, I had to be really funny. I was really skinny growing up. I was so thin, I had to run around in the shower to get wet. That kind of thin. So I always had to rely on humor and sarcasm.
If I had lost a leg, I would tell them, instead of a boy, no one would ever ask me if I was 'over it'. They would ask me how I was doing learning to walk without my leg. I was learning to walk and to breathe and to live without Wade. And what I was learning is that it was never going to be the life I had before.
[I] had very high hopes for Israel and it's lived up to and surpassed what I had in mind... I've had such an eye-opening experience - a really nice glimpse into the culture and lives of Israelis and the Jewish people.
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