A Quote by Henri Poincare
Talk with M. Hermite. He never evokes a concrete image, yet you soon perceive that the more abstract entities are to him like living creatures.
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We speak of concrete and not abstract painting because nothing is more concrete, more real than a line, a color, a surface.
Looking out of my window this lovely spring morning I see an azalea in full bloom. No, no! I do not see that; though that is the only way I can describe what I see. That is a proposition, a sentence, a fact; but what I perceive is not proposition, sentence, fact, but only an image which I make intelligible in part by means of a statement of fact. This statement is abstract; but what I see is concrete.
Never use abstract nouns when concrete ones will do. If you mean “More people died” don’t say “Mortality rose.
Animals represent the abstract notion of acceptance. Living with these funny creatures - you kind of have to accept them. It's like a test in a way.
Everything abstract is ultimately part of the concrete. Everything inanimate finally serves the living. That is why every activity dealing in abstraction stands in ultimate service to a living whole.
I like using concrete imagery, but I don't feel that's what it's about. It's a combination of concrete and abstract to take the listener somewhere they know better than you. That's true for music, seeing a painting, watching a movie... it's all some kind of an escape.
Abstract words are ancient coins whose concrete images in the give and take of talk have worn away with use.
A man may talk inspiringly to a woman about love in the abstract--but the look in his eyes is always perfectly concrete.
The image of the presence, whatever it was, waiting there for him to go -this image had not yet been so concrete for his nerves as when he stopped short of the point at which certainty would have come to him. For, with all his resolution, or more exactly with all his dread, he did stop short - he hung back from really seeing. The risk was too great and his fear too definite: it took at this moment an awful specific form.
These entities are clever enough to make Strieber think they care about him. Yet his torment by them never ceases. Whatever his relationship to the entities, and he increasingly concludes that their involvement with him is something 'good,' he also remains terrified of them and uncertain as to what they are.
I can't always reach the image in my mind... almost never, in fact... so that the abstract image I create is not quite there, but it gets to the point where I can leave it.
To sit on the front steps — whether it's a veranda in a small town or a concrete stoop in a big city — and to talk to our neighborhoods is infinitely more important than to huddle on the living-room lounger and watch a make-believe world in not-quite living color.
Like living creatures, automobiles expired when their environment became saturated with their own excreta. We ourselves are living creatures. We don't want the same to happen to us.
The different Ministries have to work more on the promotion of the country, to build Kosovo's public image. Concrete projects must be assembled, in order to activate our businessmen to have more contacts. We have to create a positive image about ourselves.
Compared with men, it is probable that brutes neither attend to abstract characters, nor have associations by similarity. Their thoughts probably pass from one concrete object to its habitual concrete successor far more uniformly than is the case with us. In other words, their associations of ideas are almost exclusively by contiguity. So far, however, as any brute might think by abstract characters instead of by association of con cretes, he would have to be admitted to be a reasoner in the true human sense. How far this may take place is quite uncertain.
When needs and means become abstract in quality, abstraction is also a character of the reciprocal relation of individuals to oneanother. This abstract character, universality, is the character of being recognized and is the moment which makes concrete, i.e. social, the isolated and abstract needs and their ways and means of satisfaction.
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