A Quote by Henri Rousseau

We are the two great painters of this era; you are in the Egyptian style, I in themodern style. (to Pablo Picasso) — © Henri Rousseau
We are the two great painters of this era; you are in the Egyptian style, I in themodern style. (to Pablo Picasso)
A style does not go out of style as long as it adapts itself to its period. When there is an incompatibility between the style and a certain state of mind, it is never the style that triumphs.
Style is just an impression. Style itself is hollow. Style, its ok style as long as it is part of a language. Style for style itself is just something very hollow.
But everything written has style. The list of ingredients on the side of a cornflakes box has style. And everything literary has literary style. And style is integral to a work. How something is told correlates with - more - makes what's being told. A story is its style.
I have been robbed of three million dollars all told. Everyone today is playing my stuff and I don't even get credit. Kansas City style, Chicago style, New Orleans style hell, they're all Jelly Roll style.
My style is raw; my style is '95. My style is what I live. My style is my story.
The most important thing in life is style. That is, the style of ones existence-the characteristic mode of ones actions-is basically, ultimately what matters. For if man defines himself by doing, then style is doubly definitive, because style describes the doing.
Many young web designers view their craft the way I used to view pop culture. It's cool or it's crap. They mistake Style for Design, when the two things are not the same at all. Design communicates on every level. It tells you where you are, cues you to what you can do, and facilitates the doing. Style is tautological; it communicates stylishness. In visual terms, style is an aspect of design; in commercial terms, style can communicate brand attributes.
Our farm is a 15-minute walk to Pablo Picasso's last home. Alongside it stands the lovely Notre-Dame-de-Vie Chapel with its 13th-century bell tower, which was visible to Pablo from his atelier.
I don't believe, in the end, that there is any such thing as no style. Even a very neutral, plain style, one that doesn't use colloquialisms, lyrical flourishes, heavy supplies of metaphor, etc., is a style, and it becomes a writer's characteristic style just as much as a thicker, richer deployment of idiom and vocabulary.
John McCain and Lindsay Graham have a habit of communicating with great passion and regularity. I have great respect for both individuals, but their style is not everyone's style.
[Pablo] Picasso really changed my life. It's strange to say so, but I started to see some Picasso paintings very early. I was very young, and he was not so much known.
A design style is defined by a set of microdecisions. A clear style reflects a consistent set. A clear style may not be a good style; a muddled one never is.
The science of style as an organ of thought, of style in relation to the ideas and feelings, might be called the organology of style.
I think style is being so comfortable and confident in what you're wearing. That's what style is, 'cause everybody's got different style.
If you can change style, why stick to one style? Style is a vanity because it gives you product identification.
I've changed my style constantly, so I'm not sure I have one defined style, except perhaps style of subject matter.
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