A Quote by Henrik Fisker
To be able to swivel around, I think is really good for a concept car, but in reality, I think for normal vehicles, if you actually look at how a vehicle is designed and packaged it doesn't make a lot of sense.
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I do think, in the future, headlamps are probably going to be smaller, slimmer. I also think that a lot of designers will start playing around with the daylight running lights. That gives a lot of character to the vehicles in different ways, so I think designers are going to play around with that to try and give each brand a certain DNA so you can almost recognize what car it is when you look at the headlamps.
I call myself good crazy because I am a crazy normal. But who is normal really? Are you normal? Maybe you are, but I don't think a lot of us are normal. I think a lot of us are scared to say that we are a little crazy. I'm a little crazy that is just the way it is. I look in the mirror now and I like who is looking back at me. I am comfortable in my skin for the first time in my life. I have let a wall down.
We think the problem is out there, when the problem is really in here - who we are and how we experience the world around us. The acoustic ecologist listens, as the primary sense, to the world around us, and I believe that they have a significant contribution to make to all environmental groups who think that they're solving environmental problems, when we're actually all on a spiritual pilgrimage.
I just have a different impression of the human race. I think we're really resilient. I think there are a lot of cynical people out there right now, and probably for good reason. But I think that ever cynic is really a damaged romantic, and they really, really, really want things to be good. And if that's the case, I don't need to tell a story that says, "Humanity, look what you've done. Now you can't go out. There's no sun. Look how you've wrecked the world." That's not me. That's not my job.
When you look at the trajectory of autonomous vehicles, I think you can look at the trajectory of other industries whether it's aviation, I think is a really good one to look at, and you'll see there's always an evolution as the technology gets better and better.
If you think about 'The Matrix' and how high-concept it was, it had these incredible ideas that really penetrated people's consciousness. It really was a film of awakening. I think a lot of people woke up around that film.
We didn't build the modern country to be bike-friendly - our initial round of infrastructure was not designed to think about how to get around if you're not in a car. So we've got to be targeting resources, both nationally and locally, to how people are going to get around in the new world.
I don’t think that anyone has really told (people) what design is. It doesn’t occur to most people that everything is designed--that every building and everything they touch in the world is designed. Even foods are designed now. So in the process of helping people understand this, making them more aware of the fact that the world around us is something that somebody has control of, perhaps they can feel some sense of control, too. I think that’s a nice ambition.
I think that people are really hungry for original content. I think there's a sense of reboots and remakes, and we're lacking in any sense of originality in media. So, I think the people who want something like this which has a graphic novel feel or comic book feel but that is designed and created for the medium of television, I think that is something is very appealing to a lot of people.
I have a really, really, really normal family. And by normal I mean we're all nuts on some level. I think you've gotta be a little nuts to pursue any kind of creative job. I was also a really good kid. I know that sounds really dull, but I didn't rebel in the traditional sense.
When you set out to create a new product, you usually do not start by trying to think of something completely new. You think of a product or concept that is already 'normal' to the world and then try to make it better. You make it Super Normal.
I had a big fight about how to make something come into the real, to make it physical. It sounds really antique, but it's a question of, how do I make this idea happen? You can't just will it into existence. You have to educate, you have to persuade, you have to seduce, you have to do all this stuff to make something three-dimensional and happen. It's not just a concept. It's actually a reality.
I had read the scripts that Nora Ephron had written as a movie about Mike McAlary. We were never able to make it at HBO because we couldn't cast it properly and when I left I called Nora and said, "Look, I actually think that the movie luckyguyindustry has changed. It's very unlikely that you'd be able to make this as a movie. I actually think it's a play."
I think in general, people look at all Olympic athletes, look at all superstar athletes, and they say, "Okay, this guy doesn't have any insecurities." They're almost like these icons who - I don't know how to say it, but like they can't make mistakes. But the reality is, and I'll tell you this firsthand, a lot of great athletes have a lot of insecurities, and they have a really hard time dealing with a lot of so-called losing or however you want to classify it.
The reality is the world is a really, really big place, and there's a lot of people running around with a lot on their mind. And you really have to figure out how to build a company that can put on a message that can actually reach people and have an impact globally.
We played around and improvised a ton [in The Hangover], and I think it's hard to say at this point what's what. Gosh, I wouldn't even know how to take a stab at it. The script was so good that we really didn't need to improvise very much, but I think we just found a lot of moments on the set. It's really cool when you get onto the set of a movie and you start shooting the scenes and you start to actually incorporate the environment.
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