A Quote by Henrik Vibskov
I love sequencing and programming, and I'm drawn to drum 'n' bass music. I love James Murphy's productions - and hey, he wears my socks!
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I love when things bend out of shape. That's why I love drum and bass music.
I love electronic music, and I love drum and bass.
I love pop music. I love drum and bass, Calvin Harris, all these electronic things, but it's nice to have something organic as well.
Yeah, my drum programming especially is based on my knowledge of playing a drum kit. For the bass too, definitely. It was the first thing that I translated any sort of ideas through. It must have shaped it somehow.
In the late '80s and early '90s, there was a slightly retro drum sound that was popular in hip-hop music called the 808 bass drum sound. It was the bass drum sound on the 808 drum machine, and it's very deep and very resonant, and was used as the backbone as a lot of classic hip-hop tracks.
I love my music, so I want to produce, write, and serve my music. I've had to learn about EQ frequencies and programming and space and clutter and how to be a better piano or bass player - everything.
I feel like, with drum programming, the way I used to do it, I'd think of how somebody would play these drum patterns and then try to replicate that through programming. It's not that it's better or worse, it's just a different style.
My love for dance music started when I was a child. Some of my earliest memories are hearing Trance music in the charts and later being heavily influenced by the eclectic tastes of my big brother, he quickly turned me into an avid Drum 'n' Bass head even though I was too young to rave.
I just love the hypnosis of a single bass drum.
Grunge, like Nirvana and all that. Heavy metal, Iron Maiden, Metallica, Guns and Roses, drum and bass. I like to listen to it and try and break down what makes a fan of that music say 'Ah fuck that other music', do you get me? Trying to figure out what makes them tick, I always try and break that down with every piece of music. But the energy in that music, I love it.
I love doing the music. I love programming beats and kind of working on the music as much, if not more, than the actual rapping.
I became this guy that does drum programming, and I don't want to be that guy anymore. I don't want to sit in front of my computer for 18 hours programming 16 bars of music.
Amon Tobin has been producing electronic music since the mid-'90s, and was a key figure in the rise of drum-and-bass. He's also written some of the genre's most compelling tracks, in the process delving into jazzy breakbeats and bass lines.
I was drawn to love songs, but I was just drawn to great music - no matter if it's hip-hop, pop, R&B or whether it's rock n' roll or country. It could be a Garth Brooks song, and if it's a smash, then I'll love the different wordplay and different melodies. That's what I'm a fan of - great music.
Most music that comes out of Holland is basically the harder part of dance music - hip-hop, drum'n'bass.
Creating music to fit the marketplace, so that music can be heard? If ever I thought that I even came close to catering to the marketplace, or designing my productions and my music to cater to what is currently fashionable, I would sell shoes for a living. For me, the marketplace can rot in hell. I will do music for the love of music and for the love of people who listen to music, and absolutely nothing else will drive me.
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