A Quote by Henry Beard
Handicap: an allocation of strokes on one or more holes that permits two golfers of very different ability to do equally poorly on the same course.
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George: [On the 'Two Virgins' cover] 'What I thought of the sleeve then was the same as I think now: it's just two not-very-nice-looking bodies, two flabby bodies naked. It's harmless, really - different strokes for different folks.
1960, I was 20 years old, and I was leading the U.S. Open. Now, I wasn't leading by several strokes, but I was leading the U.S. Open and playing with Ben Hogan, had a very good chance to win, nine holes to go, I was leading. I was still leading with six holes to play.
The biggest handicap in research is an ability to think outside the box. The handicap is being encumbered by all the conventional wisdom in a given field.
I guess what was going to come back came back on Monday. Of course now I've played a different golf course. I've played two practice rounds and two tournament rounds all kind of the same and now today I've played a different golf course.
It had struck me that the world was full of holes, holes which you could fall into, never to be seen again. I couldn't understand the difference between disappearance and death. Both seemed the same to me, both left holes. Holes in your heart holes in your life.
For me, the different religions are beautiful flowers from the same garden, or they are branches of the same majestic tree. Therefore, they are equally true, though being received and interpreted through human instruments equally imperfect.
Science and religion are, of course, two different ways of looking at the universe; and it's the same universe with two different windows.
What serialized cable dramas have given us is the opportunity to not simply tell the same story with slightly different words and different costumes, every week. people are really mining the ability of storytellers to tell a long form story that goes from A to Z, and to trust that an audience will follow that. If they miss it, over the course of the week, they can watch it online or buy the DVD. There are so many different ways of interacting with it. Storytelling in television is getting more complex and more nuanced.
Florida sends me a handicap sticker when I'm there. It's embarrassing. But I can't walk more than six holes before the whole knee swells up, and then I can't go anymore.
There's usually a sense of humor about all of it. It is what it is. I had two characters that were equally detestable, in very different ways, that hit the airwaves, at the same time. It was a very interesting year in my career, in that way. But I have no fear, on that note. I have a new project for HBO, where I'm going to play the good guy. That's going to be fun and exciting, and shift the paradigm a bit.
I got tired of books where the boy is a bit thick and the girl's very clever. Why does it have to such an opposition? Why can't they be like the girls and boys that I know personally, who are equally funny and equally cross? Who get things equally wrong and are equally brave? And make the same mistakes?
I play piano and drums very poorly and French horn and tuba all equally as bad.
Old golfers don't win (it's not an absolute, it's a general rule). Why? The older golfer can hit the ball as far as the young one. He chips and putts equally well. And will probably have a better knowledge of the course. So why does he take the extra stroke that denies him victory? Experience. He knows the downside, what happens if it goes wrong, which makes him more cautious. The young player is either ignorant or reckless to caution. That is his edge. It is the same with all of us. Knowledge makes us play safe. The secret is to stay childish.
very few people change after well say seven or seventeen. Not really. They get more this or more that and of course look a bit different. But inside they are the same.
As you get drawn more and more into other activities, like political activities, very demanding, you have to find different rhythms of writing; I think that's the word I'm looking for, rhythms of creativity which then, of course, become very intense. I think your writing then tends to be very intensified simply because there are other demands which seem equally important.
I don't believe in having to show anybody anything. I just do my work. You know, making a living as an actor is such a rarity on earth. It's like making a living as a painter. So I look at different opportunities in the same way as Jack Nicholson, who said once, "Keep popping up in different holes. That's what you want to do: Just keep popping up in different holes." That made a lot of sense to me.
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