A Quote by Henry Becque

Decisiveness is often the art of timely cruelty. — © Henry Becque
Decisiveness is often the art of timely cruelty.
Cruelty in the theatre is unrelenting decisiveness, diligence, strictness.
Not just a timely movie, a great one...Timbuktu feels at once timely and permanent, immediate and essential.
Timely service, like timely gifts, is doubled in value.
I will confess that in general decisiveness worries me; it is often an excuse for being impatient with the details or insufficiently sensitive to other people's concerns.
Cruelty is cruelty, whether it's cruelty to children, to the elderly, to dogs and cats, or to chickens.
All too often women believe it is a sign of commitment, an expression of love, to endure unkindness or cruelty, to forgive and forget. In actuality, when we love rightly we know that the healthy, loving response to cruelty and abuse is putting ourselves out of harm's way.
Resistance and change often begin in art, and very often in our art - the art of words.
Cruelty is, perhaps, the worst kid of sin. Intellectual cruelty is certainly the worst kind of cruelty.
When I set out to write 'I'm Judging You,' I wanted to create something that was both timely and timeless. But I didn't know how timely this book would be until we, the people of the United States, elected a walking Cheeto to the highest office in the land on November 8, 2016.
We live in capitalism, its power seems inescapable - but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.
'The Art Student's War' is, at its core, a traditional American wartime love story. As such, it is timely and engrossing. By the end, all its principal characters 'have been to Hell and back.'
As a composer, I believe that music has the power to inspire a renewal of human consciousness, culture, and politics. And yet I refuse to make political art. More often than not political art fails as politics, and all too often it fails as art. To reach its fullest power, to be most moving and most fully useful to us, art must be itself.
I was brought up in a way that was based purely on the senses. Everything in my upbringing was a reaction to growing up on an organic farm or to the emotions of animal cruelty, as well as the visuals of my mum's and my father's art - he was also an art collector.
Doubting things go ill often hurts more Than to be sure they do; for certainties Either are past remedies, or, timely knowing, The remedy then born.
Art, in fact, can be nothing but violence, cruelty and injustice.
Cruelty, very far from being a vice, is the first sentiment Nature injects in us all. The infant breaks his toy, bites his nurse's breast, strangles his canary long before he is able to reason; cruelty is stamped in animals, in whom, as I think I have said, Nature's laws are more emphatically to be read than in ourselves; cruelty exists amongst savages, so much nearer to Nature than civilized men are; absurd then to maintain cruelty is a consequence of depravity. . . . Cruelty is simply the energy in a man civilization has not yet altogether corrupted: therefore it is a virtue, not a vice.
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