A Quote by Henry Bessemer

On March 4th, 1830, I arrived in London, where a new world seemed opened to me. — © Henry Bessemer
On March 4th, 1830, I arrived in London, where a new world seemed opened to me.
When we arrived in London, my sadness at leaving Paris was turned into despair. After my long stay in the French capital, huge, ponderous, massive London seemed to me as ugly a thing as man could contrive to make.
Somewhere down the line, I felt the need to come to grips with the realistic - or live action - image which seemed to me central to the notion of film. And then a whole new world opened to me.
To think that the new economy is over is like somebody in London in 1830 saying the entire industrial revolution is over because some textile manufacturers in Manchester went broke.
I was in my early 20s when Estonia joined the E.U. For a kid who'd grown up in the Soviet Union, it seemed like my country had come of age. For a country that had been isolated and cut off from the rest of the world, it seemed like we were becoming part of the global community. It opened a whole new world of possibility.
Many weeks ago, the Holy Spirit told me to watch the dates "March 8 to April 8." He was speaking to me about how beginning with March 8, there was a new season of revival and fruitfulness for the Church. That this would be a new time of fresh visitation.
March 4th, the only day that is also a sentence
I arrived in Tokyo in around '81. Around that time, I visited London for about two months - it was the period just before Malcolm McLaren released his solo album Duck Rock. I'd met him when he came to Japan, so I visited him in London and spent one evening with him and his girlfriend over at his house. He told me, "London is boring right now. You should go to New York." So he called a friend in New York, who I think was an old assistant or someone who helped him record early hip-hop stuff over there.
I was born in Berlin on March 15, 1830, the second son of the royal university professor K. W. L. Heyse and his wife Julie, nee Saaling, who came from a Jewish family.
I never really wondered about getting from London to Lahaul. It all seemed such a natural progression. In London I felt I was in the wrong place and wanted to leave. I'd thought about going to Australia or New Zealand. It's nothing against England, but I knew I wasn't meant to be there.
When we opened in Paris, we opened in the Marais. And when we opened in London, it was in Soho. These aren't, like, edgy places. These are places where people - and young people - hang out.
When I first arrived (in New York), it seemed to me the most terrifying city in the world... all those big buildings. I remember walking on Broadway, looking up at this huge, mountainous place-and being so lonely. But things started to clear up when I met a few people on the street whom I'd met before-all of a sudden there got to be a certain familiarity about the place, and the terror kind of evaporated. There was a lot of playing going on, and the New Yorkers, of course, were a completely different crowd from what I'd known.
It was like a new world opened to me, the world of science, which I was at last permitted to know in all liberty.
Books opened up a whole new world to me. Through them I discovered new ideas, traveled to new places, and met new people. Books helped me learn to understand other people and they taught me a lot about myself. ... Some books you never forget. Some characters become your friends for life.
Telugu films have opened a new world to me.
People in London think of London as the center of the world, whereas New Yorkers think the world ends three miles outside of Manhattan.
I finished my studies in England, I opened my studio in London, and the first one-man exhibit I had on Bond Street, which was opened by the Austrian ambassador.
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