A Quote by Henry Bird

Place the contents of the Chess box in a hat, shake them up vigorously, pour them on the board from a height of two feet, and you get the style of Steinitz — © Henry Bird
Place the contents of the Chess box in a hat, shake them up vigorously, pour them on the board from a height of two feet, and you get the style of Steinitz
As long as you have any floor space at all, you have room for books! Just make two stacks of books the same height, place them three or four feet apart, lay a board across them, and repeat. Viola! Bookshelves!
Six feet under the stars is a place that doesn't exist. It's a place in your mind where everything and anything is possible. It's a place with no rules or limitations. It's a place where only two people can be at a time where no one can judge them and no one could try to break them apart.
Relationships are a battle. They are a chess game. And what did I do? I just threw all my chess pieces down on the board at once, and said, "Here! Have them all!
If I find a good pair of jeans, I'll buy two, and get them hemmed to my height, and then I'll end up wearing those two for everything.
Sometimes, the Censor Board is observed taking a lenient view with regard to certain explicit contents, which should be restricted, on screen. The board should be strict in curbing such contents.
The proponents of Steinitz' theory - Tarrasch and his supporters - tried to express Steinitz' teaching in the form of laconic rules, and as often happens in such cases, they went too far. The laconic tended to become dogmatic, and chess began to lose its freshness, originality and charm.
I didn't want to take the DC universe, put it in a box, shake the box and pour it out. I wanted to take the major characters and show what they could be like if they were put on a different path.
I wanted to get more serialized. I had this idea for an event that would click onto everybody's mortality. I said, "I want somebody to die." Fortunately for me, when I was toying with that idea, John Landgraf, who's the head of FX but also a very smart executive, came up with the idea of the ashes in the maracas. He called me up and said, "Listen, what about this, they get the ashes in a box and when they get them, they shake them and they sound like maracas." And I was like, "Okay, now I've got my throughline."
Get a boxer and get him wrestling for a minute or two - the arms get so heavy, filled with blood, they can't even hold them up any more, they can't box.
If the kids get a good grasp of what the main lessons are for chess after two or three years of staying with the game, then you've given them brain food and you've given them a skill that can last them a lifetime.
Maybe many directors are trying to create their own style of filmmaking, or to respond to audiences that come expect a certain style from them. But I don't care about that - I don't intend to have a 'Miike' style. I just pour myself into each film, enjoy it, and then what comes out just seems to have a 'Miike' style.
To get fruits from the tree branches, shake them with hands; to get fruits from men, shake them with clever ideas!
His teaching became a turning point in chess history: it was from Steinitz that the era of modern chess began. The contribution of the first world champion to its development is comparable with the great scientific discoveries of the 19th century.
Educate your sons and daughters, send them to school, and show them that beside the cartridge box, the ballot box, and the jury box, you also have the knowledge box.
I once heard of a murderer who propped his two victims up against a chess board in sporting attitudes and was able to get as far as Seattle before his crime was discovered.
Combinations have always been the most intriguing aspect of Chess. The masters look for them, the public applauds them, the critics praise them. It is because combinations are possible that Chess is more than a lifeless mathematical exercise. They are the poetry of the game; they are to Chess what melody is to music. They represent the triumph of mind over matter
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