A Quote by Henry Blodget
When television came in, everybody thought that was the end of the movie business, which was not and is not.
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Unless you're a big movie star, regular television work is going to bring you more exposure than anything. Everybody has a television; not everybody goes to the movies.
Warner Bros. got into television very early, so I did a lot of television there. In the beginning, it was sort of okay to do television. But then it became this thing where movie actors didn't do television - they certainly didn't do commercials, because that just meant the end of your career.
The movie business has been in enormous flux. It's always changing, and you've got to scramble. The Internet came along and devoured the DVD backend of the movie business. Suddenly you're watching dollars turn into nickels, and that's interesting to me.
Television is like the movie business. It's not the least-objectionable program - it's the best program that gets positioned. Same in the movie business. It's not just everything automatically gets done by the "in" crowd.
The television business is actually going through a tremendous transition, but I think at the end of the day, television is still paramount.
That can be undersold, I think, the importance when you're trying to do something good is that everybody understands the director's vision, everybody believes in it, and everybody can find their own path to supporting it, and that's how you end with a great movie.
You always have to know what business you are in. Everybody thought we were in the basketball business. It's an NBA-team; we are not in the basketball business. We are in the business of creating experiences and memories.
When I came to Congress, I came to bring what I thought was a real-world business perspective to government because, in the business world, I spent over 20 years in the high-tech industry, but it certainly was not unique.
I saw the end of the general magazine business at the end of the '70s, and I knew I had to move into another profession when the advertising dollar moved from magazines to television. The magazine business as we knew it was over. We were no longer the educators of the world.
The harder the circumstances under which you're making a movie, generally the better the friends you make. You're far away from home and so you're kind of lonely, and you end up all gravitating towards each other and the bar every night. It tends to be inversely proportionate to the comfort level on the movie, how close you become to everybody.
I came to the conclusion that in comedy, everybody gets what they need, whereas in horror, everybody gets what they deserve. I decided that at the end of the day, I was going to give everybody what they needed.
While I was playing, I started a company that didn't work out. I got a taste of the business world and realized I'm not going to be a 9-to-5 guy in the office after football is over. When the opportunity came for television. I thought, 'Let's go for it,' even though it was nerve-racking. I enjoyed it.
I grew up in a small town where I went to the movies a lot and fell in love with all these people. I also fell in love with the movie business. So all I saw were actors on the screen so I thought, well, that's what I have to be if I want to be a part of the movie business.
I started training wrestling in the pre-social media era and I was very cautious - I thought, 'I can't have people know my real last name.' So I changed my last name to End because I always called myself 'The End.' I thought that was cool. I thought I'd take my real first name and my 'fake' last name, and that's how I came up with Tommy End.
There was one family drama on television when we took out 'The Fosters' - 'Parenthood'. Everybody thought it sounded like a great show, but nobody thought there was a home for it.
Everybody hangs out with everybody, which is very strange for a cast this large and this young. We're all cool and down to earth and not caught up in this maniacal business at all... . Everybody really, really likes everybody else.
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