A Quote by Henry Cavill

Superman isn't moody or brooding or aggressive. — © Henry Cavill
Superman isn't moody or brooding or aggressive.
Any superhero, regardless of how different they are from Superman, recalls Superman in some way. They're either pushing against Superman or reflecting Superman; there's something about them that comes from Superman.
I would like to break out of this "dark, brooding" image, cause I'm actually not like that at all. In Ireland, brooding is a term we use for hens. A brooding hen is supposed to lay eggs. Everytime somebody says "He's dark and brooding" I think: "He's about to lay an egg".
I seem to be attracted to the quiet, brooding type. But not too brooding. Too brooding can be narcissistic. Or psychotic.
Superman didn't become Superman. Superman was born Superman. When Superman wakes up in the morning, he's Superman. His alter ego is Clark Kent. His outfit with the big red "S", that's the blanket he was wrapped in as a baby when the Kents found him. Those are his clothes. What Kent wears - the glasses, the business suit - that's the costume. That's the costume Superman wears to blend in with us. Clark Kent is how Superman views us. And what are the characteristics of Clark Kent. He's weak... he's unsure of himself... he's a coward. Clark Kent is Superman's critique on the whole human race.
Superman, Superman, crunchy little Superman. Found you in a Cornflakes box.
If someone plays a brooding actor in a film, people think they're brooding all the time.
With Superman, super powers are just ancillary. It's that character, with all those principles and understanding... that's who he is right there. I think I tried to portray a sense of trust and power and charisma for Superman. That's what we believe Superman is.
Women were supposed to be the enigmas, but men? Moody, brooding bastards, the lot of them. A woman with PMS had nothing on a man. Where women might get hormonal once a month, men suffered their own brand of PMS on a daily basis. - Faith
My thing is every generation of Americans has to answer what we call the 'Superman Question.' Superman comes, lands in America. He's illegal. He's one of these kids. He's wrapped up in a red bullfighter's cape. And you've got to decide what we're gonna do with Superman.
American writers often say they find it difficult to write Superman. They say he's too powerful; you can't give him problems. But Superman is a metaphor. For me, Superman has the same problems we do, but on a Paul Bunyan scale. If Superman walks the dog, he walks it around the asteroid belt because it can fly in space. When Superman's relatives visit, they come from the 31st century and bring some hellish monster conqueror from the future. But it's still a story about your relatives visiting.
In this drawing we just let our imagination run wild. We visualized Superman toys, games, and a radio show - that was before TV - and Superman movies. We even visualized Superman billboards. And it's all come true.
Al Plastino helped redefine Superman in the 1950s. His work on 'Superman's Girlfriend,' 'Lois Lane,' 'Adventure Comics' and pretty much any title in the Superman family will be fondly remembered for years to come. He will be missed.
The most questionable thing I did was make Superman a government agent. If this had been a Superman story, I'd never have done that - and I know that, because I have a Superman story I want to tell someday. In this story, Batman was the hero, so the world was built around him.
I'm fun with people I know. But at the same time, people also say that I am a little cold, rude, and moody. 'Moody' is the word they generally use for me.
I did a movie with Christopher Reeve when I first came to L.A. called 'Switching Channels.' I asked him if it was weird to be Superman. He said, 'You know, George, I've fought against this whole Superman thing, but one day I realized, 'Hey, I'm Superman.'' So, at some point, I just started saying, 'Good for me, I'm Bryan MacKenzie.'
I'm just trying to be aggressive. Be aggressive with my shot. Be aggressive going to the rim.
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