A Quote by Henry Cavill

I suppose that when I'm building a character, it's usually related to what their family is like and who their parents are, as well as how I grew up - that nurture side. — © Henry Cavill
I suppose that when I'm building a character, it's usually related to what their family is like and who their parents are, as well as how I grew up - that nurture side.
When I was young, I grew up in a family of working-class people. Not just my parents, but my extended family, as well.
Well, I grew up in Switzerland where my parents were immigrant workers, but my whole family are very good cooks - my father also. So I always saw my parents enjoying to cook and prepare the food.
You draw the best things from your parents and family. You're going to pick up some of the bad things as well - there's a temper that runs through my dad's side of the family that I'm not especially keen on picking up a giant block of.
I grew up in a small segregated steel town 6o miles outside of Cleveland, my parents grew up in the segregated south. As a family we struggled financially, and I grew up in the '60s and '70s where overt racism ruled the day.
My family was reasonably liberal. Some kids I grew up with, their parents forced them to join the military, and my parents never, ever even brought it up. I imagine just looking at me, they were like "Not an army officer."
I grew up in a very loving but very broken family, and I suppose that's why I'm drawn to telling stories about well-intentioned people who are doing their best - but are not always successful - in figuring out how to maneuver through this complicated, bumpy and broken world.
I've been a fortunate girl: I grew up in a family that loved me from day one. I feel well grounded and lucky from that. So everything else is a bonus, because I grew up in this family that I adored, and adored me, and I think when you have that, you are already ahead of the game in the sense of how you feel about yourself.
When you're building a character, or at least when I'm building a character, you start saying, 'How am I going to make people like him?'
With 'Smoke Signals,' the character was so much like me growing up. I lost my parents, and I wish I'd had an opportunity to find out where they were. So I was reflecting on how I grew up, that feeling of abandonment. That whole film was a reality that I always held back and kept to myself.
What people like to comment on a lot is that I grew up in a religious family; my father is a pastor, and now I'm playing the devil. Thankfully, my family see the humorous side of the job.
I grew up in an Orthodox family, as I grew older, I became Conservative and that's how it ended up. But I've developed that Jewish feel to my act from my surroundings and my family.
I was born on the other side of the tracks, in public housing in Brooklyn, New York. My dad never made more than $20,000 a year, and I grew up in a family that lost health insurance. So I was scarred at a young age with understanding what it was like to watch my parents lose access to the American dream.
I grew up in a normal family. I have sweet parents, who are still married... But my life is so different from how I thought it would be.
We had many books and pictures... my parents' way of life doubtless left a lasting impression on me. They created an atmosphere in which a certain kind of freedom could exist. This may well account for my seeking a related sense of liberty as I grew up.
Companies have to nurture [creativity and motivation]-and have to do it by building a compassionate yet performance-driven corporate culture. In the knowledge economy the traditional soft people side of our business has become the new hard side.
The bones of my architecture are very much related to the structure, to the physical fact of how a building can stand up; it's also related to geometry and a certain understanding of the architecture in which there is a balance between expression and function.
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