A Quote by Henry Cejudo
When you get hit to the body, you don't even worry about your face no more.
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I know the way you can get / When you have not had a drink of Love: / Your face hardens, / Your sweet muscles cramp. / Children become concerned / About a strange look that appears in your eyes / Which even begins to worry your own mirror / And nose.
If you make the decision to send your kid to public school don't even look at private schools. Just shut the door. Just turn off the TV. And then you don't even have to worry about preschool. You have to worry about what's good for your kid, but you don't have to worry about how to position yourself.
You win some, you lose some. You get hit you don't get hit, but it's not about how hard you get hit. I think it's about how hard you get hit, then still get up and deliver an even harder punch. I think that's what it is all about.
There ain't no genius here. Strategy in baseball is overrated. People say, 'That Weaver, he plays for the long ball too much.' You bet I do. Hit 'em out. Then I got no worry about somebody lousing up a bunt, I got no worry about the hit and run - and that's really overrated - I got no worry about base-running errors. And I can't screw it up myself.
Don't worry about me," I finally said. "Really. I'm more worried about you." And even more worried about where Graves is. "Are you?" A fey smile lit his face, and I caught my breath. It was a shock to see him look so happy. "Well, then.
The reason you keep on coming back to see me is very simple; every time you have seen me your body has learned certain things, even against your desire. And finally your body now needs to come back to me to learn more. Let's say that your body knows that it is going to die, even though you never think about it. So I've been telling your body that I too am going to die and before I do I would like to show our body certain things, things which you cannot give to your body yourself... So let's say then that your body returns to me because I am its friend
It’s one of those things where when you’re training and fighting, you can’t worry about your bills, your mortgage, did you get your girlfriend pregnant, your pet’s cancer, or anything. Nothing else matters but that dude trying to kick you in the face or throw you on your head or trying to rip your arm out of the socket. It becomes a singularity of purpose, which an ADD kid like me rarely gets. I like that moment of clarity in fights, and I truly have that. I lose myself in the details of those 15 minutes and you don’t worry about what people think of you.
My dad told me this a long time ago, never worry about what your next job is, just worry about what you are doing right then. As I grow older, I couldn't agree more with that advice. Sometimes you get so worried about what's next that you fail to appreciate what you have.
I'm a pragmatist. I think, as a woman, you have to be more careful. You have to be more communal, you have to say yes to more things than men, you have to worry about things that men don't have to worry about. But once we get enough women into leadership, we can break stereotypes down. If you lead, you get to decide.
When you are more awake at nights, they'll toss and turn, they'll think more, they get frustrated. And when that starts to happen, you really don't sleep even more because you're making your body tense and your mind is getting more and more active.
You are in charge of your own attitude whatever others do or circumstances you face. The only person you can control is yourself...worry more about your attitude than your aptitude or lineage.
Don't worry so much about your self-esteem. Worry more about your character. Integrity is its own reward.
I do think there's a lot of bad writing, and I worry about that in philosophy. I worry about it even more in literary studies, but I wouldn't blame it on any one methodology.
I used to get made fun of in the minor leagues. I'd be 0 for 2, and then in my last at-bat I'd hit a chopper that wouldn't even reach the shortstop, and I'd get a hit out of it. The guys would be all over me, but a hit's a hit. I'll take 3,000 of 'em.
The hardest thing is getting fake hit. You really have to sell it. Somebody comes at you and stops a couple inches from your face. You have to react like it's painful. In my training, those were the days I was more sore, doing gut punches or getting thrown against walls. You're moving your body in a way that's not natural.
You think of it [voicing] as something where you not only don't //need// your body, but you don't even have it to use! There's nothing you can do with your body that's going to show in the final product. Maybe that's all the more reason I used my body so much to get whatever noise or sounds out of it I could. When it was needed to keep the energy up I found myself almost running in place! It is very physical.
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