A Quote by Henry David Thoreau

You cannot hear music and noise at the same time. — © Henry David Thoreau
You cannot hear music and noise at the same time.
I rolled back onto the lawn and pressed my forehead to the ground again and made the noise that Father calls groaning. I make this noise when there is too much information coming into my head from the outside world. It is like when you are upset and you hold the radio against your ear and you tune it halfway between two stations so that all you get is white noise and then you turn the volume right up so that this is all can hear and then you know you are safe because you cannot hear anything else
The Apollo seats 3,600 people: I could hear them making a huge noise for Milton Jones and Lee Mack. If the audience doesn't make the same amount of noise for you, you feel like you've failed.
I can't listen to so much music at the same time. I think you really have to have a diet. You're just processing too much, there's no place to put it. If you go a long time without hearing music, then you hear music that nobody else hears.
When you wish for so long that you could hear something, and then suddenly, with no warning, you do, it is like a lightning strike and rain on parched ground at the same time. You're stunned, but you cannot hear enough.
I frequently hear music in the heart of noise.
Noise is the typographical error and the poorly designed page...Ambiguity is noise. Redundancy is noise. Misuse of words is noise. Vagueness is noise. Jargon is noise.
...If there's a noise in the woods, and there's nobody around to hear it, is it really a noise?" "Of course it is," she replied calmly. "How did you reach that conclusion?" Beldin demanded. "Because there's no such thing as an empty place, uncle. There are always creatures around --wild animals, mice, insects, birds --and they can all hear." "But what if there weren't? What if the woods are truly empty?" "Why waste your time talking about an impossibility?
I frequently hear music in the very heart of noise.
The way I look at music, what I'm interested in is not necessarily creativity - in many ways I think creativity is overrated, actually. What I think is important is authenticity. I want to hear music that has the resonance of the people. I want to hear music that is an amplification of them. Because then, I can experience the people. But because the music has become so institutionalized, everyone is learning and regurgitating the same material in the same way.
Mind training is based on the idea that two opposite mental factors cannot happen at the same time. You could go from love to hate. But you cannot, at the same time - toward the same object, the same person - want to harm and want to do good.
When you're listening to radio and hear the same 20 songs over and over and over, you want a break from it. Sometimes you don't want to hear something that sounds just like everything else on the radio. Eventually, if you hear the same sounds and the same musicians and the same mixes and all of that, it will start to sound like elevator music.
Here's how I understand music. If you can play the same bunch of noise twice, it's music. To go beyond that is supercilious and pontificating.
My husband is a composer, so he plays piano all the time and I sit there and clap telling my unborn child, 'Hear me clap, hear the music.' I know music, in general, is supposed to be good for babies to hear.
To me, the noise of a threshing machine is better music than a lot of music I hear nowadays. I took a man's place in the threshing crew when I was only 14 years old.
When everybody is playing at the same level, there's so much more noise. And there's less incentive for the people who should be rising above that noise to take time and invest in what they're doing. It just becomes about hustling and grabbing attention.
Jazz goes into folk music, into rock music. Jazz is in practically everything except classical music where they're reading the same music all the time, the same way, the same tempo every night.
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