A Quote by Henry David Thoreau

A sentence should be read as if its author, had he held a plough instead of a pen, could have drawn a furrow deep and straight to the end. — © Henry David Thoreau
A sentence should be read as if its author, had he held a plough instead of a pen, could have drawn a furrow deep and straight to the end.
If someone writes a great story, people praise the author, not the pen. People don't say, 'Oh what an incredible pen...where can I get a pen like this so I can write great stories?' Well, I am just a pen in the hands of the Lord. He is the author. All praise should go to him.
It had to be a book that held my attention and kept me wanting to read it; when my husband finished 'The Road', I started it straight away and didn't put it down until I finished - it was such an achievement and relief to know that I could read, comprehend and, most importantly, enjoy a book!
I didn't understand in the beginning that the editor didn't want me to know the author. I'd make an effort to meet the author, but it would end up being a disaster because then I had the author telling me what I should be doing.
Maugham then offers the greatest advice anyone could give to a young author: "At the end of an interrogation sentence, place a question mark. You'd be surprised how effective it can be."
The glacier was God's great plough set at work ages ago to grind, furrow, and knead over, as it were, the surface of the earth.
The glacier was God's great plough . . . set at work ages ago to grind, furrow, and knead over, as it were, the surface of the earth?
I do not know what I regret. I sit with my pen, and cannot find an end to that sentence.
I used to always read with a pen in my hand, as if the author and I were in a conversation.
Ye rigid Ploughman! bear in mind Your labor is for future hours. Advance! spare not! nor look behind! Plough deep and straight with all your powers!
I'm the final clause in a periodic sentence, and that sentence begins a long time ago, in another language, and you to read it from the beginning to get to the end, which is my arrival.
Our life is an apprenticeship to the truth that around every circle another can be drawn; that there is no end in nature, but every end is a beginning, and under every deep a lower deep opens.
As a Midlander and a big walker, I'd always loved ridge and furrow fields, the plough-marked land as it was when it was enclosed. It is the landscape giving you a story of lives that ended with the arrival of sheep.
I was always aware, reading Chesterton, that there was someone writing this who rejoiced in words, who deployed them on the page as an artist deploys his paints upon his palette. Behind every Chesterton sentence there was someone painting with words, and it seemed to me that at the end of any particularly good sentence or any perfectly-put paradox, you could hear the author, somewhere behind the scenes, giggling with delight.
When I read a novel that I really like, I feel as if I am in direct, personal communication with the author. I feel as if the author and I are on the same wavelength mentally, that we have a lot in common with each other, and that we could have an interesting conversation, or even a friendship, if the circumstances permitted it. When the novel comes to an end, I feel a certain letdown, a loss of contact. It is natural to want to recapture that feeling by reading other works by the same author, or by corresponding with him/her directly.
I had always drawn, every day as long as I had held a pencil, and just assumed everyone else had too…Art had saved me and helped me fit in…Art was always my saving grace…Comedy didn’t come until much later for me. I’ve always tried to combine the two things, art and comedy, and couldn’t make a choice between the two. It was always my ambition to make comedy with an art-school slant, and art that could be funny instead of po-faced.
Why should I tremble at the plough of my Lord, that maketh deep furrows on my soul? I know He is no idle husbandman, He purposeth a crop.
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