A Quote by Henry David Thoreau
The artist and his work are not to be separated. The most willfully foolish man cannot stand aloof from his folly, but the deed and the doer together make ever one sober fact.
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The explanation of the propensity of the English people to portrait painting is to be found in their relish for a Fact. Let a man do the grandest things, fight the greatest battles, or be distinguished by the most brilliant personal heroism, yet the English people would prefer his portrait to a painting of the great deed. The likeness they can judge of; his existence is a Fact. But the truth of the picture of his deeds they cannot judge of, for they have no imagination.
Man and his deed are two distinct things. Whereas a good deed should call forth approbation and a wicked deed dis-approbation, the doer of the deed, whether good or wicked always deserves respect or pity as the case may be. Hate the sin and not the sinner is a precept which though easy enough to understand is rarely practised, and that is why the poison of hatred spreads in the world.
The artist seeks contact with his intuitive sense of the gods, but in order to create his work, he cannot stay in this seductive and incorporeal realm. He must return to the material world in order to do his work. It's the artist's responsibility to balance mystical communication and the labor of creation.
What is the importance of human lives? Is it their continuing alive for so many years like animals in a menagerie? The value of a man cannot be judged by the number of diseases from which he escapes. The value of a man is in his human qualities: in his character, in his conscience, in the nobility and magnanimity, of his soul. Torturing animals to prolong human life has separated science from the most important thing that life has produced - the human conscience.
I am willing to allow that smoking is a moral weakness, but on the other hand, we must beware of the man without weaknesses. He is not to be trusted. He is apt to be always sober and he cannot make a single mistake. His habits are likely to be regular, his existence more mechanical and his head always maintains its supremacy over his heart. Much as I like reasonable persons, I hate completely rational beings.
There should be a law that no ordinary newspaper should be allowed to write about art. The harm they do by their foolish and random writing it would be impossible to overestimate--not to the artist but to the public.... Without them we would judge a man simply by his work; but at present the newspapers are trying hard to induce the public to judge a sculptor, for instance, never by his statues but by the way he treats his wife; a painter by the amount of his income and a poet by the colour of his necktie.
The Canadian is often a baffled man because he feels different from his British kindred and his American neighbours, sharply refused to be lumped together with either of them, yet cannot make plain his difference.
It is just like man's vanity and impertinence to call an animal dumb because it is dumb to his dull perceptions. Heaven is by favor; if it were by merit your dog would go in and you would stay out. Of all the creatures ever made he (man) is the most detestable. Of the entire brood, he is the only one...that possesses malice. He is the only creature that inflicts pain for sport, knowing it to be pain. The fact that man knows right from wrong proves his intellectual superiority to the other creatures; but the fact that he can do wrong proves his moral inferiority to any creature that cannot.
How many a father have I seen, A sober man, among his boys, Whose youth was full of foolish noise.
How should an artist begin to do his work as an artist? I would insist that he begin his work as an artist by setting out to make a work of art.
Never lose sight of the fact that all human felicity lies in man's imagination, and that he cannot think to attain it unless he heeds all his caprices. The most fortunate of persons is he who has the most means to satisfy his vagaries.
You are not an artist simply because you paint or sculpt or make pots that cannot be used. An artist is a poet in his or her own medium. And when an artist produces a good piece, that work has mystery, an unsaid quality; it is alive.
Whoever is wise is apt to suspect and be diffident of himself, and upon that account is willing to "hearken unto counsel"; whereas the foolish man, being in proportion to his folly full of himself, and swallowed up in conceit, will seldom take any counsel but his own, and for that very reason, because it is his own.
A man's ability cannot possibly be of one sort and his soul of another. If his soul be well-ordered, serious and restrained, his ability also is sound and sober. Conversely, when the one degenerates, the other is contaminated.
How much reverence has a noble man for his enemies!--and such reverence is a bridge to love.--For he desires his enemy for himself, as his mark of distinction; he can endure no other enemy than one in whom there is nothing to despise and very much to honor! In contrast to this, picture "the enemy" as the man of ressentiment conceives him--and here precisely is his deed, his creation: he has conceived "the evil enemy," "the Evil One," and this in fact is his basic concept, from which he then evolves, as an afterthought and pendant, a "good one"--himself!
I learned that it is better, a thousandfold , for a proud man to fall and be humbled, than to hold up his head in his pride and fancied innocence. I learned that he that will be a hero, will barely be a man; that he that will be nothing but a doer of his work, is sure of his manhood. In nothing was my ideal lowered, or dimmed, or grown less precious; I only saw it too plainly, to set myself for a moment beside it.
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