A Quote by Henry David Thoreau
When the leaves fall, the whole earth is a cemetery pleasant to walk in. I love to wander and muse over them in their graves. Here are no lying nor vain epitaphs.
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No matter where; of comfort no man speak: Let's talk of graves, of worms, and epitaphs; Make dust our paper and with rainy eyes Write sorrow on the bosom of the earth
The earth is not a mere fragment of dead history, stratum upon stratum like the leaves of a book, to be studied by geologists and antiquaries chiefly, but living poetry like the leaves of a tree, which precede flowers and fruit ~ not a fossil earth, but a living earth; compared with whose great central life all animal and vegetable life is merely parasitic. Its throes will heave our exuviæ from their graves ... You may melt your metals and cast them into the most beautiful moulds you can; they will never excite me like the forms which this molten earth flows out into.
neither poems nor prose just a length of rope just the wet earth -- that's the way home. neither vodka nor bread just bursts of rage just more new graves -- that's youth and that's love. neither sleep nor waking neither joy nor laughter just tears in the night -- so the rope, paper, knife.
I wept when the muse Ulla bent over me. Blinded by tears I could not prevent her from kissing me, I could not prevent the Muse from giving me that terrible kiss. All of you who have ever been kissed by the Muse will surely understand that Oskar, once branded by that kiss, was condemned to take back the drum he had rejected years before, the drum he had buried in the sand of Sapse Cemetery.
Some people fall head over heels. Other people begin to fall without even knowing it—love grows like a spring flower beneath last autumn’s leaves and catches them by surprise.
Lying in a featherbed will bring you no fame, nor staying beneath the quilt, and he who uses up his life without achieving fame leaves no more vestige of himself on Earth than smoke in the air or foam upon the water.
There's an old, private cemetery here in Palm Springs, where I live, just down the street from the airport, that belongs to one of the local Native American tribes, and it occurred to me one day that if you really wanted to get away with murder, you'd kill someone, put them in a coffin and bury them in a private cemetery or, better, an abandoned one. And then suddenly this whole idea of a long con appeared before me and I had this idea of using a Jewish cemetery.
The colours of insects and many smaller animals contribute to conceal them from the larger ones which prey upon them. Caterpillars which feed on leaves are generally green; and earth-worms the colour of the earth which they inhabit; butter-flies, which frequent flowers, are coloured like them; small birds which frequent hedges have greenish backs like the leaves, and light-coloured bellies like the sky, and are hence less visible to the hawk who passes under them or over them.
The children of our Lord walk gladly in his ways; they have confidence in him, and so when they fall, they rise again; and if, instead of stopping to grumble about the stone they have tripped over, they humble themselves at their fall, this helps them to advance with great strides in his love.
I'm happiest when most away I can bear my soul from its home of clay On a windy night when the moon is bright And the eye can wander through worlds of light— When I am not and none beside— Nor earth nor sea nor cloudless sky— But only spirit wandering wide Through infinite immensity.
Their sacrifice was great, but not in vain. All Americans and every free nation on earth can trace their liberty to the white markers of places like Arlington National Cemetery. And may God keep us ever grateful.
Nor need it cause surprise that things disagreeable to the good man should seem pleasant to some men; for mankind is liable to many corruptions and diseases, and the things in question are not really pleasant, but only pleasant to these particular persons, who are in a condition to think them so.
In my perfect imagination, with stern discipline I rise with the first bird, salute the dawn, have a healthy breakfast of fruits, wander over to my faux-oak desk, tap the On button on my Macbook Air, acknowledge the muse, and skip into the world where the story flows over the day and into the night.
Nightfall. “What a strange word. ‘Night’ I get. But ‘fall’ is a gentle word. Autumn leaves fall, swirling with languid grace To carpet the earth with their dying blaze. Tears fall, like liquid diamonds Shimmering softly, before they melt away. Night doesn’t fall here. It comes slamming down.
A collection of bad love songs, tattered from overuse, has to touch us like a cemetery or a village. So what if the houses have no style, if the graves are vanishing under tasteless ornaments and inscriptions? Before an imagination sympathetic and respectful enough to conceal momentarily its aesthetic disdain, that dust may release a flock of souls, their beaks holding the still verdant dreams that gave them an inkling of the next world and let them rejoice or weep in this world.
When someone leaves you, apart from missing them, apart from the fact that the whole little world you've created together collapses, and that everything you see or do reminds you of them, the worst is the thought that they tried you out and, in the end, the whole sum of parts adds up to you got stamped REJECT by the one you love. How can you not be left with the personal confidence of a passed over British Rail sandwich?
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