A Quote by Henry David Thoreau
I think that the farmer displaces the Indian even because he redeems the meadow, and so makes himself stronger and in some respects more natural.
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The farmer is a poor creature who skins the land and leaves it worthless to his children. The farmer is a good farmer who, having enabled the land to support himself and to provide for the education of his children, leaves it to them a little better than he found it himself.
In some respects, South African apartheid was more vicious than Israeli practices, and in some respects the opposite is true.
I do sense, as compared with let's say the early '50s, there's somewhat more of a careerism. I don't think it's anything special to economics; it's equally true with physics or biology. A graduate education has become a more career-oriented thing, and part of that is because of the need for funding. In fact, that's a much worse problem in the natural sciences than it is in economics. So you can't even do your work in the natural sciences, particularly, and even to some extent in economics, without funding.
I think there can be a positive sort of futurism even in a presentist society. But I think it's a kind of futurism that envisions augmenting human ability and intellect rather than creating some artificial machine intelligence that displaces us.
Against war one might say that it makes the victor stupid and the vanquished malicious. In its favor, that in producing these two effects it barbarizes, and so makes the combatants more natural. For culture it is a sleep or a wintertime, and man emerges from it stronger for good and for evil.
Hope is in some respects a thing more brilliant, more vivifying, than fruition. What we have looked forward to with eager and earnest aspiration is never in all respects equal to the picture we had formed of it. The very uncertainty enhances the enjoyment.
I feel like when you do things with such a small budget, it actually makes you be more creative... and allows you to concentrate more on the story and the characters. I think that there is something about dirty, gritty and raw filmmaking that makes it feel a little more natural and makes it easier to connect with the action.
The farmer doesn't care for the pitchers' battle that resolves itself into a checkers game. The farmer loves the dramatic, and slugging is more dramatic than even the cleverest pitching.
There is something in natural affection which will lead it on to eternal love more easily than natural appetite could be led on. But there's also something in it which makes it easier to stop at the natural level and mistake it for the heavenly. Brass is mistaken for gold more easily than clay is. And if it finally refuses conversion its corruption will be worse than the corruption of what ye call the lower passions. It is a stronger angel, and therefor, when it falls, a fiercer devil.
I think actors are meant to have crises of faith; I think it's part of the job. I think it makes you a stronger person and a stronger actor.
The passions should be purged; all may become innocent if they are well directed and moderated. Even hatred maybe a commendable feeling when it is caused by a lively love of good. Whatever makes the passions pure, makes them stronger, more durable, and more enjoyable.
God does not redeem the personal man by death. He redeems himself by freeing himself from the personality of man.
A man after death, is not a natural but a spiritual man; nevertheless he still appears in all respects like himself.
And there is also the paradox that the dominating culture imbues the Indian past with great meaning and significance; it is valued more because it is seen as part of the past. And it is the romantic past, not the present, that holds meaning and spiritual significance for so many members of the dominating culture. It has seemed so strange to me that the larger culture, with its own absence of spirit and lack of attachment for the land, respects these very things about Indian traditions, without adopting those respected ways themselves.
When people try to take your culture away from you, your essence of your culture becomes stronger. It's like even in Africa. When you see African-Americans, they're stronger because of what they've gone through. It's even subliminal; I think it becomes in their genes.
Lack of discipline. First of all, I think some of them fail because they just don't have natural talent, and they shouldn't even be in the business to begin with.
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