A Quote by Henry David Thoreau
Left to herself, nature is always more or less civilized, and delights in a certain refinement; but where the axe has encroached upon the edge of the forest, the dead and unsightly limbs of the pine, which she had concealed with green banks of verdure, are exposed to sight.
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My garden is a forest ledge
Which older forest s bound;
The banks slope down to the blue lake-edge,
Then plunge to depths profound!
The secrets of nature are concealed; her agency is perpetual, but we do not always discover its effects; time reveals them from age to age; and although she is always the same in herself, she is not always equally well known.
There is a higher law affecting our relation to pines as well as to men. A pine cut down, a dead pine, is no more a pine than a dead human carcass is a man.
Yet there were times when he did love her with all the kindness she demanded, and how was she to know what were those times? Alone she raged against his cheerfulness and put herself at the mercy of her own love and longed to be free of it because it made her less than he and dependent on him. But how could she be free of chains she had put upon herself? Her soul was all tempest. The dreams she had once had of her life were dead. She was in prison in the house. And yet who was her jailer except herself?
Is it the lumberman, then, who is the friend and lover of the pine, stands nearest to it, and understands its nature best? Is it the tanner who has barked it, or he who has boxed it for turpentine, whom posterity will fable to have been changed into a pine at last? No! no! it is the poet: he it is who makes the truest use of the pine-who does not fondle it with an axe, nor tickle it with a saw, nor stroke it with a plane. . . .
The way in which men cling to old institutions after the life has departed out of them, and out of themselves, reminds me of those monkeys which cling by their tails - aye, whose tails contract about the limbs, even the dead limbs, of the forest, and they hang suspended beyond the hunter's reach long after they are dead. It is of no use to argue with such men. They have not an apprehensive intellect, but merely, as it were a prehensile tail.
She emptied herself of Fabio and of herself, of all the useless efforts she had made to get where she was and find nothing there. With detached curiosity she observed the rebirth of her weaknesses, her obsessions. This time she would let them decide, since she hadn't been able to do anything anyway. Against certain parts of yourself you remain powerless, she said to herself, as she regressed pleasurably to the time when she was a girl.
She was a ghost in a strange house that overnight had become immense and solitary and through which she wandered without purpose, asking herself in anguish which one of them was deader: the man who had died or the woman he had left behind.
Now hoppin'-john was F. Jasmine's very favorite food. She had always warned them to wave a plate of rice and peas before her nose when she was in her coffin, to make certain there was no mistake; for if a breath of life was left in her, she would sit up and eat, but if she smelled the hopping-john, and did not stir, then they could just nail down the coffin and be certain she was truly dead.
More grass means less forest; more forest less grass. But either-or is a construction more deeply woven into our culture than into nature, where even antagonists depend on one another and the liveliest places are the edges, the in-betweens or both-ands..... Relations are what matter most.
Art does not lie in copying nature.- Nature furnishes the material by means of which is to express a beauty still unexpressed in nature.-The artist beholds in nature more than she herself is conscious of.
By morning she was dead. She had not died of starvation or committed suicide by any conventional means. She had simply willed herself to die, and being a strong-willed woman, she had succeeded. She had missed dying on her birthday by two days.
She had witnessed the world's most beautiful things, and allowed herself to grow old and unlovely. She had felt the heat of a leviathan's roar, and the warmth within a cat's paw. She had conversed with the wind and had wiped soldier's tears. She had made people see, she'd seen herself in the sea. Butterflies had landed on her wrists, she had planted trees. She had loved, and let love go. So she smiled.
I am certain that there are two things in life which are dependable: the delights of the flesh and the delights of literature. I have had the good fortune to enjoy them both equally.
Lik the tree falling in the forest," says Ira. "Huh?" "You know, the old question - if a tree falls in a forest and no one's there to hear it, does it really make a sound?" Howie considers this. "Is it a pine forest, or oak?" "What's the difference?" "Oak is a much denser wood; it's more likely to be heard by someone on the freeway next to the forest where no one is.
In her enthusiasms she had always looked for something tangible: she had always loved church for its flowers, music for its romantic words, literature for its power to stir the passions and she rebelled before the mysteries of faith just as she grew ever more restive under discipline, which was antipathetic to her nature.
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