A Quote by Henry David Thoreau

Give me the old familiar walk, postoffice and all, with this ever new self, with this infinite expectation and faith, which does not know when it is beaten. We'll go nutting once more. We'll pluck the nut of the world, and crack it in the winter evenings. Theaters and all other sightseeing are puppet-shows in comparison. I will take another walk to the Cliff, another row on the river, another skate on the meadow, be out in the first snow, and associate with the winter birds. Here I am at home. In the bare and bleached crust of the earth I recognize my friend.
Give me the old familiar world, post-office and all, with this ever new self, with this infinite expectation and faith, which does not know when it is beaten.
In spite of all the dishonour, the broken standards, the broken lives, The broken faith in one place or another, There was something left that was more than the tales Of old men on winter evenings.
When death comes, it's just like winter. We don't say, "There ought not to be winter." That the winter season, when the leaves fall and the snow comes, is some kind of defeat, something which we should hold out against. No. Winter is part of the natural course of events. No winter, no summer. No cold, no heat.
To see a hillside white with dogwood bloom is to know a particular ecstasy of beauty, but to walk the gray Winter woods and find the buds which will resurrect that beauty in another May is to partake of continuity.
My son, Laurier, and I love being outdoors. We like to ski and to skate, to play in the snow, and simply to walk and enjoy the winter scenery.
I am a book of snow, a spacious hand, an open meadow, a circle that waits, I belong to the earth and its winter.
The church exists primarily for two closely correlated purposes: to worship God and to work for his kingdom in the world ... The church also exists for a third purpose, which serves the other two: to encourage one another, to build one another up in faith, to pray with and for one another, to learn from one another and teach one another, and to set one another examples to follow, challenges to take up, and urgent tasks to perform. This is all part of what is known loosely as fellowship.
Winter looked at Leven. Leven looked right back at her. Winter's cheeks burned red and her green eyes outshone Leven's. The two of them stared at one another and then, as if they were destined to, thay began to lean into one another, Leven closed his eyes. "What are you doing?" Geth asked concerned. Winter closed his eyes too and leaned close. Both of them looked panicked and out of control, but it didn't stop them from moving closer and kissing each other. Clover's jaw dropped and he pulled something out of his void just so he could let go of it in shock.
Perhaps of all our untamed quadrupeds, the fox has obtained the widest and most familiar reputation.... His recent tracks still give variety to a winter's walk. I tread in the steps of the fox that has gone before me by some hours, or which perhaps I have started, with such a tip-toe of expectation as if I were on the trail of the Spirit itself which resides in the wood, and expected soon to catch it in its lair.
On the blue summer evenings, I will go along the paths, And walk over the short grass, as I am pricked by the wheat: Daydreaming I will feel the coolness on my feet. I will let the wind bathe my bare head. I will not speak, I will have no thoughts: But infinite love will mount in my soul; And I will go far, far off, like a gypsy, through the countryside - as happy as if I were a woman. "Sensation
When it is winter and we must walk in the blizzard snow do not our fingers and toes whisper death And when winter is at last over. . .can we not hear our bellies whisper death to us In the dark don't we know And when we are paralyzed by nightmares We know what you are. With our first cries we rail against you. We see you in every drop of blood in every tear.
You may not realize initially how many other opportunities are wrapped up inside the first one. After you go through the first door, you'll then discover more doors automatically opening behind that one. One door leads you to another door, which leads to another door, and so one. It's like ten other boxes packed inside one box. The initial door that God opens is your access to more opportunities. But you must be willing to walk through the first one to get to the other good things God has for you.
I say at the very end of "Winter Journal" that I do dream about my father often. I think I have a tremendous compassion for him, which has grown over the years. A certain kind of pity for him also in that he was so unrealised as a human being, so dogged, and so shut-off from people in many ways. You know, I've been writing another book, and it's another non-fiction autobiographical work, kind of a compliment to "Winter Journal", and it's just finished.
I walk into a restaurant, and people stare as though I've just landed from another planet. Every time I walk out in public, it's like the alien freak show has arrived. It does have its advantages. I hardly ever get bothered by the paparazzi, probably because of some of the more edgy characters I've played in movies.
Everything that's happening in our world is a function of what is going on inside of people. We are violent in our minds. We are violent with one another. We walk past one another in the street and don't even look nor make eye contact - don't speak. We can be outraged about the missiles and the planes. I'm more outraged that somebody will walk past me in the street and not look me in the face and say good morning.
A text makes the word more specific. It really kind of defines it within the context in which it is being used. If it is just taken out of a context and presented as a sort of object, which is what - you know, which is a contemporary art idea, you know. It is like an old surrealist idea or an old cubist idea to take something out of context and put it in a completely different context. And it sort of gives it a different meaning and creates another world, another kind of world in which we enter.
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