A Quote by Henry David Thoreau
The prosaic man sees things badly, or with the bodily sense; but the poet sees them clad in beauty, with the spiritual sense.
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A man becomes spiritual insofar as he lives a spiritual life. He begins to see God in all things, to see His power and might in every manifestation. Always and everywhere he sees himself abiding in God and dependent on God for all things. But insofar as a man lives a bodily life, so much he does he do bodily things; He doesn't see God in anything, even in the the most wondrous manifestations of His Divine power. In all things he sees body, material, everywhere and always - "God is not before his eyes." (Ps. 35:2)
The poet sees things as they look. Is this having a faculty the less? or a sense the more?
It is part of the poet's work to show each man what he sees but does not know he sees.
He will see most without who has the best eyes within; and he who only sees with his bodily organs sees but the surface.
The difference between a poet and a philosopher is that the poet sees logically and describes basically the beauty whereas the philosopher defines the basics and shows the beauty of logics.
Everybody thinks they know what art should be. But very few of them have the sense that is necessary to experience painting, that is the sense of sight, that sees colors and forms as living reality in the picture.
But when a man has had only four hours' sleep he isn't sentimental. He sees things as they are: that is to say, he sees them in the garish light of justice; hideous, witless justice.
[Buddhism and Christianity] are in one sense parallel and equal; as a mound and a hollow, as a valley and a hill. There is a sense in which that sublime despair is the only alternative to that divine audacity. It is even true that the truly spiritual and intellectual man sees it as sort of dilemma; a very hard and terrible choice. There is little else on earth that can compare with these for completeness. And he who does not climb the mountain of Christ does indeed fall into the abyss of Buddha.
...innocence of eye has a quality of its own. It means to see as a child sees, with freshness and acknowledgment of the wonder; it also means to see as an adult sees who has gone full circle and once again sees as a child - with freshness and an even deeper sense of wonder.
The psychotic does not merely think he sees four blue bivalves with floppy wings wandering up the wall; he does see them. An hallucination is not, strictly speaking, manufactured in the brain; it is received by the brain, like any 'real' sense datum, and the patient act in response to this to-him-very-real perception of reality in as logical a way as we do to our sense data. In any way to suppose he only 'thinks he sees it' is to misunderstand totally the experience of psychosis.
Common sense is science exactly in so far as it fulfills the ideal of common sense; that is, sees facts as they are, or at any rate, without the distortion of prejudice, and reasons from them in accordance with the dictates of sound judgment. And science is simply common sense at its best, that is, rigidly accurate in observation, and merciless to fallacy in logic.
The man who sees little always sees less than there is to see; the man who hears badly always hears something more than there is to hear.
Genius is the capacity to see ten things where the ordinary man sees one, and the man of talent sees two or three, plus the ability to register that multiple perception in the material of his art.
But pure wit is akin to Puritanism; to the perfect and painful consciousness of the final fact in the universe. Very briefly, the man who sees the consistency in things is a wit - and a Calvinist. The man who sees the inconsistency in things is a humorist - and a Catholic.
Who’s to say that it takes something like a drug to mess with your perception of reality? How did Hitler deceive a nation? How can one group of people look at the world and see one thing, and another see something completely different? One sees a town, another sees a desert. One sees beauty, another sees chaos.” The skin of this world,” he said quietly.
Out of the multitude of our sense experiences we take, mentally and arbitrarily, certain repeatedly occurring complexes of sense impression (partly in conjunction with sense impressions which are interpreted as signs for sense experiences of others), and we attribute to them a meaning the meaning of the bodily object.
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